Posts Tagged 'shawn nee'



Have We Met…?

Photo by discarted

There are a lot of characters in Los Angeles, and a few places in particular that are magnets for the quirky, offbeat and strange. So I guess it’s no surprise that if you take photos in Venice or Hollywood you might find someone else has also taken a very similar shot of your subject. (There’s a flickr group called Mirrored dedicated to this concept.)

Photo by discarted

Case in point: this guy in Venice who apparently cruises the boardwalk in a wheelchair with his funny little dog perched on his shoulder. He seems to like attention, and he’s out there all the time.

Photo by eedgejr

But, even so, it is slightly stranger when one of your subjects pops up on a flickr member’s page in another city. Oree and Betty were regulars on Hollywood Boulevard, performing with their talking dolls for the passing tourists. Discarted spent a lot of time with them, mostly at their home, your classic fleabag motel room in Hollywood. Literally. After continued harassment from the police, Oree and Betty pulled up stakes and left Hollywood for what they hoped would be the sunnier, friendlier streets of San Diego.

And that’s where edwardmysers40 found them.

Photo by edwardmysers40

POTW: The Egyptian


Photo by discarted

I will happily admit that I am not any kind of expert when it comes to dissecting what makes a good image. I am completely self-taught in regards to photography and read very little about the subject, so I lack any type of historical knowledge or grasp on photographic theories. Either I innately like an image or I don’t.

To kick off the Picture of the Week (POTW) and to force myself to start thinking more critically about my images, and others as well, I chose this photo for a few reasons:

1. The composition is good — I think. The lines and the paint along the pavement lead you right to the man’s face. His face and body are in perfect focus while the background has a slight blur, forcing you to concentrate on him.

2. The exposure and focus are dead-on, with his face landing in the the center of the gradation scale from light to dark.

3. The man, who is Egyptian, is a captivating subject. His glance, along with the cigarette and his clothing and bracelet, just pull you in. Looking at the image for the first time, I feel as though we are crossing paths once again, establishing a brief connection between strangers. It also seems like he knows something that I don’t.

Comments and critiques are welcomed. Especially from the photo editors.

The Bruce Gilden Experiment in Color

Shawn Nee / discarted

In recent weeks Bruce Gilden, a New York City photographer and Magnum Photos full member since 2002, has been receiving some well deserved attention via the internet. A short film was recently produced by Benjamen Walker and Andrea Silenzi for WYNC’s Streetshots, emerging flickr groups have been inspired by him, and message boards have been buzzing with praise and disdain for his work and style.

As for myself, I had never heard of Bruce Gilden until a friend of mine sent me a link to Benjamen and Andrea’s short. And within seconds of clicking play and hearing the first syllable resonate from the back of Gilden’s throat — I was hooked. I didn’t even have to see a single photo. But once I finally did see a Gilden image, I knew I had to try imitate it. Thus, became the The Bruce Gilden Experiment; the first in a series of postings where I set out to produce work inspired by and similar to the photographers that I admire.

While conducting The Bruce Gilden Experiment, and along with fighting my innate tendencies to shoot in my usual way (which, nonetheless, is starting to bore me), I found it difficult, except for the above photo, to capture an image within a foot of a person’s face that I could truly appreciate, or want to call my own.

Maybe it was the 24mm L series lens I chose to use. Maybe it was the choice of using color film, something I very rarely do, or Gilden does. Or maybe it was my narcisistic belief that I could produce work on par with Gilden while trying to imitate a style that is completely uncharacteristic of my own. I don’t even own a flash, nor do I know how to use one. And I’ll probably never learn how to operate one because that is something I am simply not interested in learning…for now at least.

After about an hour of shooting around the Hollywod and Highland area and processing the rolls at Rite Aid (which develops film as good, or even better, than most of the professional labs in LA) and then scanning them at home, the majority of the images were either out of focus, or more importantly, lacked the astounding beauty associated with a Gilden image. Overall, I could say it was extremely disappointing to see such average work. Something I think we can all relate to — I hope.

Before deciding to conduct this experiment I set out with the intention of failing, which, I think I did. I’ll probably give it another shot and try a few things differently. But maybe…just maybe…one day Bruce Gilden, or somebody else will conduct The Discarted Experiment. I don’t know — is the quality of the work that good? Good enough to inspire somebody?

To see more photos captured during The Bruce Gilden Experiment click here.

To see my usual style go here.

To see the amazing work of Bruce Gilden go here.

To see a wonderful short of Bruce Gilden in action go here.

Harassed, Threatened, and Berated by Andrews International’s Security Guards

Andrews International Security Guard Vasquez #782 Assaults Photographer Photo by discarted

NOTE: This guard did not have anything to do with the incident described below.

I was recently harassed by Andrews International security for photographing them in public at the Hollywood/Highland Metro station. Street photography is completely legal, and anybody, including minors and police, can be photographed in public at any time.

Here is the letter that I sent to Roger Andrews, executive vice president of Andrews International. I have not received any kind of response — or even an acknowledgement from them.

The email was also sent to Councilmen Tom LaBonge and Eric Garcetti (whose districts Hollywood falls in), and neither one of them did anything. Councilman LaBonge did personally call me and promised to call back the following week, which he didn’t.

Mr. Andrews,

I am writing you in regard to an incident that occurred on May 3, 2008 between myself and some of your officers. I am a documentary as well as a street photographer, and yesterday I was berated, touched(technically assault) and threatened with arrest and detainment by some your officers, particularly security guard Ferguson #4730, after legally photographing them in public. Obviously, your officers have not been educated about the law in regards to street photography and the rights of photographers; this is the second occurrence like this that has happened between your officers and myself.

After photographing your officers, they were completely belligerent, stating that they 
were private security officers and I was required to answer their questions, which is not true. Ferguson #4730 also tried to take my photograph, which I agreed to, but he couldn’t find a camera so he followed me around and eventually stopped me, forcing me to look up at one of the security cameras. This entire series of events is laughable because it appeared in his mind that laws that allow the city to photograph me at any time in public do not apply to Ferguson #4730 and the rest of your officers. On top of that, after having my photo taken, Ferguson #4730 then asked me if I was in the military and I said, “No, I don’t believe in the military.” He then exploded and said, “I fucking built this land you’re standing on! Get outta here!”

After that, I walked around for a few minutes thinking about what happened and decided to go back to get the officers’ badge numbers. Once Ferguson #4730 realized what I was doing, he immediately covered up his badge with his hand and started yelling, “Oh no, you ain’t getting that!” To which I stated, “You are legally required by law to give me your badge number.” That is when Ferguson #4730 along with the other officers threatened me with arrest and tried to detain me. However, I am quite aware of the law, because I am on the street practically everyday taking photographs and told them they couldn’t detain me. Ferguson #4730 would not relent and used his entire body to block me from leaving; that is when he touched me, which is assault. One of the other officers stepped in and told him to stop and took him aside to speak with him. I did not leave, told them to call the police, and waited for BID Patrol to arrive. I was questioned but not arrested because I did not do anything illegal.

While the BID Patrol security guards gave me a very nice lecture on humanity, they didn’t seem to care about the way Ferguson #4730 and the other officers reacted in an unlawful, belligerent, and inhumane manner towards me.

I am requesting that all video footage of the area in front of the Hollywood/Highland Metro stop in Los Angeles, CA, between 6PM and 7:30PM on May 3, 2008 be retained for viewing, as well as kept for evidence. I will be speaking to a lawyer this week as well exploring my other options via the city and Los Angeles Metro.

Ferguson’s unlawful behavior, along with the other officers, and more importantly, their lack of knowledge for the law is unacceptable.

BID Patrol also asked me if I was an attorney, to which I said, “No, but I don’t have to be an attorney to know the law. Since you’re not an attorney either that must mean you don’t know the law as well…which is the reason why this all happened in the first place.”

Voice Your Concerns and Write:

Roger Andrews: roger.andrews@andrewsinternational.com

Antonio Villaraigosa: mayor@lacity.org

Tom LaBonge: councilmember.labonge@lacity.org

Eric Garcetti: councilmember.garcetti@lacity.org

Rich Morallo, Metro Citizens Advisory Council: (213) 922-233

Captain Dan Finkelstein, MTA chief of transit police: (213) 922-2707/922-2700

Rick Jager/Marc Littman, MTA media relations: (213) 922-2707/922-2700


Spam Blocked