Posts Tagged 'photography'

You a Sneakin’ Mutha…

discarted

I sit in the driver’s seat of William’s truck as rush hour traffic collects just below us on the 101 freeway. It’s August and sweat collects on the back of my neck and arms as the first significant heat wave brings triple digits to Los Angeles. It’s so hot out that if you look at the pavement long enough, you can see the shadows of invisible nuclear vapors slithering across the sidewalk.

I’m bored and even more depressed, but can’t stop myself from coming here. I think about all of the things I’ve fucked up in my life. I think about my family that I’ve been away from for almost a decade. I think about my ex-girlfriend. I think about leaving L.A., so I can see my family and ex-girlfriend. I think about this prostitute I wanna photograph.

And then a cockroach pokes its body out from in between the bent pages of an 18 magazine that’s been dumped on the dashboard. It’s female and carrying eggs. I think about crushing it with my hand, but it zigzags across a collection of odd items and junk and then crawls into an empty Shasta can before I can make a decision. Growing up people would often say that a cockroach could survive the aftermath of an atomic bomb, but in Los Angeles, when you wake up in morning you can find dozens of them dead on the sidewalk.

I sit in the driver’s seat of William’s truck watching them, waiting for something to happen.

Me: That doesn’t hurt?

William: Fifteen yars locked up, whadda you think?

CLICK.

Joe: Ooh there he go again with that camera…sneakin’ mutha fucka takin’ my picture! Right when I’m takin’ a drink too! You a sneakin’ MUTHA FUCKA!

Williams shitty plastic razor scrapes across his neck. A drop of blood pokes through his skin.

Joe: WILLIAM! How come you don’t ever let me sit in the truck, but you let h-i-m?

Joe takes another big drink, consuming what’s left of his 211. He looks at me.

Joe: You still my boy.

Joe raises a tightened fist and pushes his arm through the driver’s window. I reciprocate and press my knuckles against a collection of open sores and wonder what diseases he might have.

The thought passes and the day drags on.

Photography Link Roundup


Photo Courtesy of WellesleyPDPhoto.com

• Terrorists “sick of being treated like photographers.” [NewsArse.com]

• The LA Times launches a new photography and video blog to focus on visual storytelling. [Framework]

• The Denver Post has some of the only color photographs from the Great Depression up on its photo blog. The images, taken by photographers from the Farm Security Administration/Office of War Information, cover four years in small-town rural America. [Denver Post]

• Delving into police abuses that took place after Hurricane Katrina, The New Orleans Times-Picayune uncovers evidence that police beat up two citizens and a photojournalist from the Toronto Star. [Times-Picayune]

The Randomness of Street Photography

Woman walks up…asks me to take her picture…shows me her vagina.

LAPD Unlawfully Detains Photographer

The above video was recorded on February 21, 2010 in Hollywood, CA. As you will see from the footage, the officer’s behavior is deeply disturbing and should cause alarm within the Los Angeles Police Department.

And despite what the officer claims in the video, it is completely legal to photograph and videotape anybody, including police officers, when an expectation of privacy does not exist. It is the public’s right to photograph and record police activity that occurs on our streets and in our neighborhoods, and we should not be subjected to verbal assaults, illegal detainment, or threatened with an unlawful arrest if we choose to do so.

This encounter could have been a non-issue.

To voice your concerns regarding this officer’s behavior, contact the following individuals and offices:

Internal Affairs – Los Angeles Police Department
304 South Broadway, Suite 215
Los Angeles, CA 90013
Office: 213-485-1486
Fax: 213-473-6420

Antonio Villaraigosa, Mayor of Los Angeles
Email: mayor@lacity.org

Eric Garcetti, City Council President
5500 Hollywood Blvd., 4th Floor
Hollywood, CA 90028
Phone: 323-957-4500
Email: councilmember.garcetti@lacity.org

Tom LaBonge, Councilmember, District 4
Hollywood Field Office
6501 Fountain Ave.
Los Angeles, CA 90028
Phone: (323) 957-6415
Email: councilmember.labonge@lacity.org

Pulitzer Prize-Winning Photography


Photo by Craig F. Walker/Denver Post

The Pulitzer Prize winners were announced today. (Sorry, National Enquirer.) Here are the photography awards:

From the AP:

Breaking news photography: Mary Chind of The Des Moines Register for her photograph of the moment when a rescuer dangling in a makeshift harness tried to save a woman trapped in the foaming water beneath a dam.

Feature photography: Craig F. Walker of The Denver Post for his intimate portrait of a teenager who joined the Army at the height of insurgent violence in Iraq, poignantly searching for meaning and manhood.

Digital Has Done in the Pros

To piggyback on the New York Times article from last week (our post on it is here), the Guardian weighs in on the challenge professionals photographers are facing from the surge of amateurs in recent years. But instead of blaming Flickr, the writer of this piece feels it’s the point-and-shoot digital camera that’s made the most impact since it, he says, has “levelled the playing field.”

Incidentally, I always bristle at the mindset from digital enthusiasts that all these outmoded industries — music, movies, journalism, photography — just need to adapt to the changing landscape. There is a part of that assessment that’s true, sure. But the other part of it is, content providers need to be paid in order to produce high-quality work. When we expect that everything be free, fast and downloadable because, hey, that’s just modern times, get used to it — then quality will suffer. There’s just no way around that.

Article from the Guardian

The iPad, Photography and You?


Photo by davidmnelson

People lined up at their local Apple outlets on Saturday for first dibs on the iPad. Personally, I’m unimpressed. Er … it’s smaller than an iMac but bigger than an iPhone! And not as utilitarian as either.

In any case, here are Twelve Things a Photographer Can Do With an iPad. It seems like most of the list can also be done on any smartphone, but no one looks to me for technological insights anyway.

Speaking of, check out AP photographer David Guttenfelder’s iPhone work from Afghanistan here

Article from Social Photo Talk

Ordinary People

Photo by discarted

If you’re a regular reader of this site, or even someone new to photography, you’re likely already well aware of flickr—Yahoo’s user generated photography site where thousands of people upload their photos on a daily basis and join various groups to share their work, as well as discuss everything related to photography, including our favorite topic—photographers’ rights.

One of these groups is called Humanistic, which was created “In the spirit of William Eugene Smith (1918-1978),” and is dedicated to sharing photography that “…is humanistically driven, with a strong, genuine human-interest theme.

Humanistic was established in May of 2009 and the group administrator, tsienni, is celebrating the group’s steady growth by holding their first contest dedicated to Ordinary People.

The contest is limited to one submission per group member, and the rules are that the image must contain at least two people and not be altered in any way, or excessively processed—which, some would argue is rather arbitrary and nondescript. However, anyone familiar with William Eugene Smith’s work would instinctively know what the contest organizer meant by “excessively processed.” More important though, the first place winner will received $500 worth of Kodachrome.

Kidding. The contest is for fun.

And Kodachrome will be joining the dinosaurs very soon.

The submission deadline is March 10th, so if you  have a photo that you think is worth sharing with others and representative of Smith’s work, be sure to join the group and submit your image by this Wednesday.

Join Humanistic.

Snap Shot

Photo by discarted

NPRO Rally: Free State vs. Police State

Here’s the second installment of a series of our NPRO Rally videos that will be posted throughout the week, culminating on Friday with a recap of the whole weekend rally. 

As you see, this encounter at the Port of Long Beach was drama-free. The Harbor Patrol were friendly and civil and took the appropriate tone, as opposed to many law enforcement officers who see a camera and immediately get suspicious, aggressive and condescending. The main officer seen here is probably an amiable guy in general, but I think he was also playing the game differently, being funny and congenial and conciliatory in order to get the same information they all want – names, addresses, social security numbers. I called him on this and he played it off like I was crazy to even suggest a thing – who me?! He must have thought he was being pretty clever asking where we were parked (“Do you guys have a car or something?”), assuming he would ID us through our license plates. He knew that when you’re not breaking any laws you can refuse to identify yourself – as we did.

So, it was fine enough, but a few things still bothered me. 1) The call the refinery security guard put out after speaking with us was that it was a physical altercation, and that’s just a complete fabrication. How did this conversation get blown into a physical altercation, necessitating the need for four patrol cars? And 2) The female officer at the end of the video said we should have informed them of our plans to shoot at the port, framing it as a “common courtesy.” 

Yes, sure. We could also notify the police when we’re going grocery shopping and jogging in the park. That’s what you do in a police state.



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