Posts Tagged 'discarted'



My Moment With a Famous Photographer

When it comes to exceptional photography, there are photographers that are known within the photographic community, and then there are photographers that are known by everybody. And if they don’t know the photographer they have certainly seen their work. For instance, raising the flag on Iwo Jima (Joe Rosenthal), the napalm girl (Nick Ut), and the fire hoses in Birmingham (Charles Moore).

One weekend a few weeks back, while shooting a protest against the Israeli invasion of Palestine, I was standing on the edge of the curb right outside the Federal Building in LA, when I turned and saw one of the greats.

Almost instantly I thought, “Wait, is that –? Hold on. Yeah, it is.”

And then I thought, “Should I say something? Should I introduce myself?”

So I did.

Me: Hey, are you –?

He looks at me hesitantly, somewhat put off, like he’d been asked this question too many times his life – quietly hoping that I wouldn’t ask him about his famous photo.

Him: Yeah.

Me: I thought so, you know, I really enjoy your work.

Him: Thanks. Who are you? Who you work for?

Me: My name’s Shawn. I don’t work for anybody. I’m a documentary photographer doing this on my own.

And after I said that it seemed I really turned him off, like because I don’t work for a publication my work must not be any good.

So I thought about leaving, but I wanted to ask him a question about his work documenting one the world’s most violent gangs.

Continue reading ‘My Moment With a Famous Photographer’

US Bank Tower Guards Harass and Call Photographers Idiots

On January 18, NPRO members went to the US Bank Tower in Downtown Los Angeles to protest against their security staff’s illegal treatment of photographers when photographing the property from a public sidewalk.

Over the next couple of days, more video and photos will be posted, showing what happened, along with contact info for the building’s management staff.

In the the meantime, here is the building’s address and phone number. Please contact them after listening to the audio and reading the transcript to voice your concerns.

US Bank Tower
633 W 5th St.
Los Angeles, CA 90071
(213) 615-6300

Below is a transcript of what happened between NPRO members and the US Bank Tower’s security staff on January 18, 2009.

———————————————————

US BANK SECURITY GUARD: Excuse me sir, you’re not allowed to take any pictures.

NOHO DAMON: We’re both on a public sidewalk here.

US BANK SECURITY GUARD: No actually this sidewalk is private.

NOHO DAMON: No, no, no, no…(inaudible)

US BANK SECURITY GUARD: No.

NOHO DAMON: This is a public sidewalk.

US BANK SECURITY GUARD: Right…no.

NOHO DAMON: You guys own the street?

US BANK SECURITY GUARD: That’s the public, this is private.

NOHO DAMON: You’re telling me you own the street, you’re telling me you own the sidewalk.

US BANK SECURITY GUARD: Yes sir.

NOHO DAMON: You’re telling me that.

US BANK SECURITY GUARD: Yes.

NOHO DAMON: Would you be willing to discuss that with a cop?

US BANK SECURITY GUARD: Yes.

NOHO DAMON: That you own the sidewalk?

US BANK SECURITY GUARD: Yes.

Continue reading ‘US Bank Tower Guards Harass and Call Photographers Idiots’

Protesting for Palestine

 

0318a004 Photos by Discarted

Discarted attended the pro-Palestinian protest at the Federal Building in Westwood in Los Angeles this past Saturday. Hundreds came out to show their support for Palestine as the conflict in Gaza rages on, and as expected, passions were on display, tensions were high and the LAPD was in full, excessive riot mode.

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LAPD arrests a protester for unknown reasons (below). Seconds before someone climbed a flagpole to hang the Palestinian flag next to the US one, leading to chaos between police and Palestinian activists.

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As the crowd grew larger (below), people confronted the LAPD, yelling “Let him go…Let him go!”, forcing the police, clad in riot gear, to back away and point their rubber bullet guns at peoples’ chests just three feet from them.

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City of Lost Carts


Photo by discarted

Our own Discarted is featured in the mini documentary “City of Lost Carts,” a film on his extensive shopping cart photography circa 2006-2007. Shot as part of a 48-hour film contest by filmmakers Karen Kane and Kurt St. Thomas (in which they shot and edited the piece over a weekend), it’s an interesting look at a photographer’s motivation and transformation – and how one subject invariably leads to another.

Watch the film here.

And the Photo of the Year is…


Photo by discarted

Keeping in line with last year’s resolution to procrastinate more, and seeing that we’re already two days into ’09, I’ve finally mustered up the initiative to post my favorite image of 2008.

During the past year I found myself in the middle of all kinds of unforgettable situations, ranging from the most intense protests to the secret sex room of a transvestite hooker.

I lost friends/subjects that I loved dearly to their alcohol and drug addictions, while others decided to move away in order to escape the grind of Hollywood, leaving me hollowed out, deflated, and questioning my intentions. For weeks I would go without shooting anything, asking myself if what I was doing was serving any kind of purpose.

But as the weeks passed and the dust settled on my camera, that indescribable thing inside of every passionate photographer crept quietly back and I found myself with old friends, photographing them again, as if no time had passed. 

For the most part, I consider myself a documentary photographer rather than a street photographer. It’s something I’m quite proud of, and hold the material up to a much higher standard than the street work I have done. 

Now I do realize my documentary subjects’ photos are on my website and flickr, but they are meant to hang in a gallery somewhere and they definitely deserve better than some blog posting, proclaiming they’re my favorite image of ’08. So that is why I chose a “street” shot for my favorite image of the year.

It’s an image, as well as a moment, that has been ingrained in my mind and will remain for many more new years to come.

As for my new year’s resolution, I’ve chosen the path of most resolutionaries and have decided to trim the fat.

But not from me…from my flickr account.

Within the past week, the image tally has been reduced from 1036 to 754.

In the Blink of an Eye: Mark Rebilas

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Ever since I witnessed Michael Jordan launching himself from the foul line to slam home the NBA’s 1988 dunk contest, I’ve been a huge fan of sports photography – and this is way before I figured out that I had even the slightest bit of passion for photography.

As a child I collected every Sports Illustrated that featured MJ’s high-flying escapades, fixated by the beauty of these images while wondering where they had come from and wishing I could dunk like my idol. With the ability to touch a 10-foot rim by age 14, but unable to draw all that well, I had my mother buy me some tracing paper and colored pencils to create my own images of MJ posterizing some flat-footed sixth man. For hours I would hover over my desk, palms stained with lead and meticulously copy the SI covers, patiently and carefully following each meandering line as though I were a surgeon.

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This week I was in childlike awe once again as I discovered Mark J. Rebilas’ website. As a professional sports photographer and son of motorsports photography legend Gil Rebilas, Mark’s images have appeared in ESPN Magazine, USA Today, the Los Angeles Times and on the top sports websites in the country.

What I find most fascinating about Mark is not the fact that he’s funny, self-deprecating and able to capture such beautiful images in the blink of an eye, but that he’s so willing to share his experiences with others while working in one of the most competitive fields in photography. Finally, I no longer have to wonder where images like the ones I worshiped as kid come from.

They come from Mark Rebilas.

Have We Met…?

Photo by discarted

There are a lot of characters in Los Angeles, and a few places in particular that are magnets for the quirky, offbeat and strange. So I guess it’s no surprise that if you take photos in Venice or Hollywood you might find someone else has also taken a very similar shot of your subject. (There’s a flickr group called Mirrored dedicated to this concept.)

Photo by discarted

Case in point: this guy in Venice who apparently cruises the boardwalk in a wheelchair with his funny little dog perched on his shoulder. He seems to like attention, and he’s out there all the time.

Photo by eedgejr

But, even so, it is slightly stranger when one of your subjects pops up on a flickr member’s page in another city. Oree and Betty were regulars on Hollywood Boulevard, performing with their talking dolls for the passing tourists. Discarted spent a lot of time with them, mostly at their home, your classic fleabag motel room in Hollywood. Literally. After continued harassment from the police, Oree and Betty pulled up stakes and left Hollywood for what they hoped would be the sunnier, friendlier streets of San Diego.

And that’s where edwardmysers40 found them.

Photo by edwardmysers40

“Blind Ambition: The Ultimate Braille Challenge”


Photo by discarted

Talented writer Heather Murphy wrote this story for the NPR site about the Braille Challenge, an annual contest here in Los Angeles for supersmart blind and visually impaired students who come from all over the country to test their skills in areas like spelling, reading and proofreading.

With an accompanying video by Amir Noori and photos by Shawn Nee (discarted), it’s a multifacted multimedia story — and worth checking out, if I do say so.

Shawn says he was impressed and humbled by the kids he met at that day, noting their self-awareness and complete confidence and “how they were constantly reminding themselves and the people around them that, yes, they’re blind so quit walking on egg shells and just publicly acknowledge it and get comfortable with it because they sure are.”

Read and watch the story here.

POTW: The Egyptian


Photo by discarted

I will happily admit that I am not any kind of expert when it comes to dissecting what makes a good image. I am completely self-taught in regards to photography and read very little about the subject, so I lack any type of historical knowledge or grasp on photographic theories. Either I innately like an image or I don’t.

To kick off the Picture of the Week (POTW) and to force myself to start thinking more critically about my images, and others as well, I chose this photo for a few reasons:

1. The composition is good — I think. The lines and the paint along the pavement lead you right to the man’s face. His face and body are in perfect focus while the background has a slight blur, forcing you to concentrate on him.

2. The exposure and focus are dead-on, with his face landing in the the center of the gradation scale from light to dark.

3. The man, who is Egyptian, is a captivating subject. His glance, along with the cigarette and his clothing and bracelet, just pull you in. Looking at the image for the first time, I feel as though we are crossing paths once again, establishing a brief connection between strangers. It also seems like he knows something that I don’t.

Comments and critiques are welcomed. Especially from the photo editors.

The Bruce Gilden Experiment in Color

Shawn Nee / discarted

In recent weeks Bruce Gilden, a New York City photographer and Magnum Photos full member since 2002, has been receiving some well deserved attention via the internet. A short film was recently produced by Benjamen Walker and Andrea Silenzi for WYNC’s Streetshots, emerging flickr groups have been inspired by him, and message boards have been buzzing with praise and disdain for his work and style.

As for myself, I had never heard of Bruce Gilden until a friend of mine sent me a link to Benjamen and Andrea’s short. And within seconds of clicking play and hearing the first syllable resonate from the back of Gilden’s throat — I was hooked. I didn’t even have to see a single photo. But once I finally did see a Gilden image, I knew I had to try imitate it. Thus, became the The Bruce Gilden Experiment; the first in a series of postings where I set out to produce work inspired by and similar to the photographers that I admire.

While conducting The Bruce Gilden Experiment, and along with fighting my innate tendencies to shoot in my usual way (which, nonetheless, is starting to bore me), I found it difficult, except for the above photo, to capture an image within a foot of a person’s face that I could truly appreciate, or want to call my own.

Maybe it was the 24mm L series lens I chose to use. Maybe it was the choice of using color film, something I very rarely do, or Gilden does. Or maybe it was my narcisistic belief that I could produce work on par with Gilden while trying to imitate a style that is completely uncharacteristic of my own. I don’t even own a flash, nor do I know how to use one. And I’ll probably never learn how to operate one because that is something I am simply not interested in learning…for now at least.

After about an hour of shooting around the Hollywod and Highland area and processing the rolls at Rite Aid (which develops film as good, or even better, than most of the professional labs in LA) and then scanning them at home, the majority of the images were either out of focus, or more importantly, lacked the astounding beauty associated with a Gilden image. Overall, I could say it was extremely disappointing to see such average work. Something I think we can all relate to — I hope.

Before deciding to conduct this experiment I set out with the intention of failing, which, I think I did. I’ll probably give it another shot and try a few things differently. But maybe…just maybe…one day Bruce Gilden, or somebody else will conduct The Discarted Experiment. I don’t know — is the quality of the work that good? Good enough to inspire somebody?

To see more photos captured during The Bruce Gilden Experiment click here.

To see my usual style go here.

To see the amazing work of Bruce Gilden go here.

To see a wonderful short of Bruce Gilden in action go here.


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