Archive for the 'Street photography' Category



The Randomness of Street Photography

Woman walks up…asks me to take her picture…shows me her vagina.

LAPD Unlawfully Detains Photographer

The above video was recorded on February 21, 2010 in Hollywood, CA. As you will see from the footage, the officer’s behavior is deeply disturbing and should cause alarm within the Los Angeles Police Department.

And despite what the officer claims in the video, it is completely legal to photograph and videotape anybody, including police officers, when an expectation of privacy does not exist. It is the public’s right to photograph and record police activity that occurs on our streets and in our neighborhoods, and we should not be subjected to verbal assaults, illegal detainment, or threatened with an unlawful arrest if we choose to do so.

This encounter could have been a non-issue.

To voice your concerns regarding this officer’s behavior, contact the following individuals and offices:

Internal Affairs – Los Angeles Police Department
304 South Broadway, Suite 215
Los Angeles, CA 90013
Office: 213-485-1486
Fax: 213-473-6420

Antonio Villaraigosa, Mayor of Los Angeles
Email: mayor@lacity.org

Eric Garcetti, City Council President
5500 Hollywood Blvd., 4th Floor
Hollywood, CA 90028
Phone: 323-957-4500
Email: councilmember.garcetti@lacity.org

Tom LaBonge, Councilmember, District 4
Hollywood Field Office
6501 Fountain Ave.
Los Angeles, CA 90028
Phone: (323) 957-6415
Email: councilmember.labonge@lacity.org

Street Photography Under Siege?


Photo by discarted

The Guardian thinks street photography is at a crossroads, and if you’re a fan you too may have been wondering, Where do we go from here?

Writer Sean O’Hagan traces the history of the genre, back to the days of Garry Winogrand, Lee Friedlander and Joel Meyerowitz in the 60s. He also talks about how much things have changed and if the art form can survive in this modern era of extreme paranoia and the ubiquity of cameras.

Today, photography – and street photography in particular – is a contested sphere in which all our collective anxieties converge: terrorism, paedophilia, intrusion, surveillance. We insist on the right to privacy and, simultaneously, snap anything and everyone we see and everything we do – in public and in private – on mobile phones and digital cameras.

And then on top of all that, there’s the discussion that street photography is to a large extent dismissed and not respected on the level of fine art because it’s “too street-level, too authentic in some way,” as London street photographer Stephen McLaren theorized. But isn’t that always the way? The burger isn’t respected as fine dining until someone like Daniel Boulud puts black truffles on it and charges you $150. Then it’s art. So it’s really all about perception, and art is really all about perception.

Street photography will live on, and it’ll be one of the best artifacts of the way a society lived and walked among each other. As street photographer Matt Stuart tells O’Hagan:

People say street photography is somehow old-fashioned and cliched, but, if that’s the case, so is portraiture or sports photography; you might even say so is photography itself. Sure, we’re recording the everyday world in much the same way that street photographers have always done, but times change and things move on, and street photography is a record of that at ground level. That is why it is so important to resist calls for it to be banned or controlled.

Article from The Guardian

“Top Secret” Photo Assignment


Photo: what’sthejackanory.com

In his blog, photographer Andrew Hetherington recounts the story of getting a photo of notorious paparazzo Ron Galella–paparazzi-style–for a “top secret” assignment for the AARP Bulletin feature called “Where Are They Now?” After staking out his house, Hetherington tails him in his car and pounces at a photo lab. Galella, 78, said he was impressed by the ambush, but was aware he was around the whole time (if not knowing why). Surprisingly though, Galella tells AARP, he likes being photographed.

Smash His Camera, a documentary on Galella’s distinction as the godfather of paparazzo, stalking the likes of Jackie Kennedy Onassis and Marlon Brando, debuted at Sundance this year. His photos of Jackie O. in the 70s are among the most iconic, right up there with the White House years.

Galella calls the current paparazzi “gangbangers.” (But don’t we always think our way of doing things as more refined, when in all actuality Jackie O. felt just as terrorized as modern-day celebrities with him around.) Still, he says the most photos he took of her in a single year was 20. It seems quaint, doesn’t it?

Read the AARP article on Ron Galella here.

Article from What’s the Jackanory? via The Click

Bill Cunningham’s Street Style


From Bill Cunningham New York

Readers of the New York Times Style section know Bill Cunningham’s work — the guy is a dogged chronicler of the city’s street fashion in his regular column “On the Street.” And at 81, he’s not showing any signs of slowing down. He is also famously idiosyncratic, getting around the city on a bike, wearing his signature blue smock, and living a spare existence in a tiny one-room apartment.

On top of the that, he’s extremely private, so it’s no small feat that the documentary Bill Cunningham New York came to be. It actually took 10 years to make and eight of those were spent convincing Cunningham to participate. The NY Times’ Lens blog tells the story of the documentary here.

“It isn’t what I think, it’s what I see,” Mr. Cunningham says. “I let the street speak to me. You’ve got to stay on the street and let the street tell you what it is.”

There will be three screenings in New York this month. Go here for more info.

The Consumerist, the New Censorist?

Meg Marco by Meg Marco

UPDATE: The discarted user account is no longer available on Consumerist. Maybe it was deleted by them? Guess we shouldn’t have written this post.

The Consumerist is a well-known website that prides itself on highlighting the persistent, shameless gaffes of modern consumerism – and the latest scams, rip-offs, hot deals and freebies. However, despite all of these great things Consumerist stands for, apparently some people who work for Consumerist don’t have a problem with being a hypocrite, or silencing their critics by censoring them in their online comments.

For instance, Meg Marco, Consumerist’s Co-executive editor, recently posted a brief summary of an incident involving a Burlington, Vermont, street photographer who was banned from a mall for an entire year, even though what he was doing was completely legal. Meg writes:

A coffee shop in Vermont has issued an one-year universal trespass order that bans a local amateur photographer from 67 establishments on the Church Street Marketplace because he would not comply with repeated requests to stop photographing the patrons and employees of a coffee shop. Here’s his Flickr stream.

This one should be fun. On one side you have a guy who is perfectly within his rights to hang out and photograph people in a public place. On the other hand you have a coffee shop and 66 other merchants who are sick of their customers and employees being creeped out by a guy taking pictures.

She continued by selectively pulling the following from the much larger and original article in Seven Days:

About a month later, during a February snowstorm, Scott shot some pictures of a woman smoking a cigarette outside Uncommon Grounds on Church Street. Scott claims he was about 50 feet away when the woman, an employee of the coffeehouse, noticed his camera and asked him not to take her picture. Scott claims he backed off. But the woman also asked Scott to delete the pictures he’d already taken of her. He refused. The following Monday, March 1, a Burlington police officer again showed up at Scott’s workplace, and this time issued him a one-year universal trespass order that bans him from 67 establishments on the Church Street Marketplace. If Scott enters any of them, he could be arrested.“If I had been drunk and gone into Uncommon Grounds and created a loud scene, I can understand why they wouldn’t want me in there,” Scott says. “But I wasn’t even in the store. I wasn’t even in front of the store.”

Manager Mara Bethel tells a different story.

“We’ve had a problem with him a number of times before — taking pictures of women, specifically, on the sneaky side of things — without asking their permission,” she says. “A number of customers have come in and said, ‘There’s a guy out there taking pictures and it’s really creeping us out.’”

Bethel confirms that Scott didn’t enter the coffeehouse to take pictures, nor does she describe his pictures as “lewd.” Nevertheless, she says, Scott’s persistence and demeanor were “unsettling” to her and other employees.

“For the young women around here, it felt really uncomfortable, someone kind of lurking about, and then quickly taking their picture and turning away,” Bethel says. Moreover, when someone asked Scott what he was doing, she claims he became defensive and argumentative.

And finally she ended in her own words with:

It seems that both parties are within their rights. The photographer can stand outside creeping people out and the coffee shop and other merchants can ban him from coming inside for whatever reason they like…

After reading what Meg wrote, it was very clear to me that I did not agree with Meg or her obvious stance on the matter. Nor did I agree with the way she chose to write her post (especially her selective editing and her repeated use of the word creepy), which was clearly biased with a very obvious subtext that screamed Dan Scott was a perv for taking pictures of people in public without asking for their permission. Which is rather an ironic position for Meg to take, but we’ll get back to that a little later. (However, stay tuned, there is a twist to Meg’s story.)

So of course I decided to write a comment on the Dan Scott post that was very critical of Meg Marco. However, it’s no longer there along with other comments that were critical of her post.

And unfortunately, I didn’t save my original comment posted to Meg Marco’s article because  I thought I didn’t need to since was I posting it to Consumerist, which I mistakenly thought, is about truth, fairness and impartiality. But apparently that is not the case with Meg Marco—she likes to censor her critics.

But hopefully someone at Consumerist other than Meg Marco will read this and we’ll be able to get my original comment as well as the other comments that were not approved, or deleted after the fact, back online so everybody can read them and formulate an opinion for themselves, rather than having it shaped by Meg Marco and her personal crusade against Dan Scott.

I can’t guarantee the accuracy of the following, and I’m sure my original comment to Meg was much more eloquent, but here’s the gist of what I posted:

Meg Marco-

This is probably the briefest and shittiest summary you could have written regarding Dan Scott’s situation. It is clearly biased and also very apparent that you wrote this in support of Uncommon Grounds and with a personal agenda. Rather than asking everybody else what they thought of the situation, why didn’t you just have the brass to come out and say that you don’t agree with what Dan Scott is doing, even though taking pictures of people in public without their permission is perfectly legal. Reading something like this, where there is a clear agenda, just makes me question the legitimacy of all Consumerists writers.

Fail.

What is so ironic though about Meg’s position (this is where I get back to what I touched upon earlier), as well as extremely hypocritical of her, is the fact that it appears Meg also enjoys taking photos of strangers without asking for their permission. Which is exactly what Dan Scott was doing. Hmm.

Check out Meg’s flickr stream here, along with her Strangers set here, which both consist of photos of people whom she didn’t ask for their permission before she snapped away.

What’s really creepy, though, is the fact that Meg has a photo of a little girl’s ass! And she didn’t even ask the girl for permission.

That’s just plain creepy.

Creepy photo by Meg Marco

And there’s even more photos of children in her Strangers set.

Double creepy.

I’m curious to know how Meg would feel if she was banned from a public place for an entire year for taking this photo because a few people didn’t agree with what she was doing even though it is a perfectly legal thing to do, nor is she required to justify her actions to anyone.

Meg Marco, YOU ARE A HYPOCRITE.

To contact Meg Marco, email her at marco@consumerist.com.

You Digg?

VT Photographer Banned From Mall


Photo by Dan Scott/sevencardan

Vermont, always a state on the cutting edge, just came up with a new way to to restrict the legal right of photographers to shoot in public.

Due to complaints from business owners, photographer Dan Scott was issued a one-year trespass order barring him from shooting 67 businesses in the popular Burlington open air mall Church Street Marketplace. If he disobeys that order he can be arrested.

Seven Days reports that Scott has been shooting locals in the mall for over a year and “all his photos are taken on public property, not inside stores or through the windows or blinds of private homes.” In January, Scott was approached at another mall, the Burlington Town Center, by a security guard who told him he wasn’t allowed to take photos there. He was questioned by Burlington police, and then the next day a cop came to his office to question him for 45 minutes. (Crime is pretty low in Burlington.) The photographer seemed mostly interested in finding out whether Scott takes photos of children and posts them on the internet.

The next month, Brown was taking photos outside Uncommon Grounds coffeehouse on Church Street when an employee asked him not to take her photo and to delete any already on his camera, which he didn’t do. A few days later he got a visit at work from another Burlington cop, this one bearing that trespass order. (That sounds like “uncommon grounds” for a trespass order!)

The manager of the coffeehouse, Mara Bethel, paints a different picture of Scott, claiming he’s been a problem, surreptitiously targeting women and creeping them out. She called his behavior “unsettling” and “aggressive” when confronted. 

The Burlington PD never arrested Scott and actually don’t even have control over the trespass order – they’re issued at the request of property owners. So that means, any business that doesn’t like you hanging around can actually legally order you not to? Even if you’re doing something perfectly legal?

As local Saint Michael’s College journalism professor Dave Mindich put it, “Church Street is, by definition, the most public place in Chittenden County, if not Vermont,” he says. “There’s no presumption of privacy. There’s no gray area here.”

Article from Seven Days vis Carlos Miller

Ordinary People

Photo by discarted

If you’re a regular reader of this site, or even someone new to photography, you’re likely already well aware of flickr—Yahoo’s user generated photography site where thousands of people upload their photos on a daily basis and join various groups to share their work, as well as discuss everything related to photography, including our favorite topic—photographers’ rights.

One of these groups is called Humanistic, which was created “In the spirit of William Eugene Smith (1918-1978),” and is dedicated to sharing photography that “…is humanistically driven, with a strong, genuine human-interest theme.

Humanistic was established in May of 2009 and the group administrator, tsienni, is celebrating the group’s steady growth by holding their first contest dedicated to Ordinary People.

The contest is limited to one submission per group member, and the rules are that the image must contain at least two people and not be altered in any way, or excessively processed—which, some would argue is rather arbitrary and nondescript. However, anyone familiar with William Eugene Smith’s work would instinctively know what the contest organizer meant by “excessively processed.” More important though, the first place winner will received $500 worth of Kodachrome.

Kidding. The contest is for fun.

And Kodachrome will be joining the dinosaurs very soon.

The submission deadline is March 10th, so if you  have a photo that you think is worth sharing with others and representative of Smith’s work, be sure to join the group and submit your image by this Wednesday.

Join Humanistic.

Much Respect to this LAPD Officer

On my way to photograph subjects for my book, The Souvenirs of Hollywood, I came across an incident involving a drunk woman, LAPD, and LAFD.

As I approached the scene and started watching the detainment, I was quickly told by a fireman (whom I thought was trying to intimidate me into complying with his orders), to keep moving even though the sidewalk was still open to the public. And despite being order to move by this fireman, he completely ignored other members of the public who were walking much closer to the action than I was. It was very apparent that I was singled out by him for simply holding a camera on a public sidewalk within the presence of law enforcement and fire officials.

After I was told to keep moving, I chose to stay and take photos to show this fireman that he can not order a member of the public around without justification — that’s not how the law works in this country. The public has a legal right to observe and photograph police and firemen working on public streets as long as they do not interfere with them, and in no way was I interfering with this detainment since other members of the public were walking between the officers and myself.

If I let this firemen get away with this type of behavior he would possibly continue acting this way in the future. More important, if his conduct was never challenged by the public it is possible that the behavior would become habitual and spread among the ranks of fire and police departments, leading to significant liability issues for the city. For instance, law suits that cost tax payers money while  the wrongdoer is let go with a tap on the wrist. Which, could ultimately lead to more problems for the city and cost the tax payers even more money because the offender didn’t learn a lesson the first time he was caught behaving inappropriately. We can not have fire officials, law enforcement, or any government official behaving this way. Acting in this manner just breeds discord with the community, raises questions of accountability, and stirs mistrust.

All this fireman had to do was quietly ignore me and I would have left without incident because the encounter was a non-event, and not worth wasting any frames on. Plus, I’ve seen all the officers involved in this incident working the neighborhood while photographing my subjects, and it seems like none of them should have to worry about being watched by the public; all three of them seem like very professional and honest cops.

Although I was eventually forced to move while other people (without cameras) continued walking exactly where I was originally standing (which was slightly annoying to see), I can’t complain about the professional way LAPD treated me this time around. In the end, and despite being told by a fireman to keep moving, I was able to shoot freely and was not threatened with obstruction. Which, has happened to me in the past and is a very common tactic used by police to get rid of someone that they do not want observing them with a camera.

Much respect to the LAPD officer involved in this incident for the way he handled himself. His professionalism and respect for photographers’ rights and the public’s right to observe police activity should be the standard for all officers, including the Los Angeles Fire Department.

YouTube – More Like Censor You Tube

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Today YouTube caved to a “privacy violation” complaint and took down the video of our conversation with a The Gas Company Tower security manager. What’s most puzzling is the video doesn’t fall into any of the categories in their Community Guidelines. Not even from the Privacy section:

If a video you’ve recorded features people who are readily identifiable and who haven’t consented to being filmed, there’s a chance they’ll file a privacy complaint seeking its removal.

The great majority of the video is of the guy’s torso. But forget that for a minute: We were on a public sidewalk where there is no expectation of privacy.

What’s more, we regarded the encounter as informative and instructive, especially for the guard. Perhaps he’d go back to his supervisors and they’d brush up on the law so building security and photographers can finally all just get along. From our perspective, it was cordial and no one in their right mind (other than paranoid YouTube execs) would agree this discussion on photographers’ rights was a violation of someone’s privacy.  But it seems someone felt the need to file a bogus complaint.

This is setting a scary precedent. So from now on, anyone can complain to YouTube about a video they don’t like of themselves – like all those cops who beat protestors or smash into bicyclists? They’ll just sign up for an account, file a complaint, and – bam – no more public record?

Oh well, it’s not as if that will really make the video go away or anything. We’ll post a new link soon.


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