Archive for the 'Photojournalism' Category



Photographer Bullied, Berated at Tent City

3446597982_396356521f
Photo by Ted Soqui

LA photojournalist Ted Soqui was in Ontario, CA, working on a story about the homeless encampment called Tent City when he was harassed, followed, berated and assaulted by its nasty security force.  Surrounded by cyclone fencing, the landscape is adorned with tents, campers and port-o-potties. All of which, are patrolled by Securitas security guards, who apparently rule with an iron fist.

As Ted tells it:

The agents followed me street to street, even pushing my camera into my face at one point. Another person joined in to attempt to stop me from taking photographs, waiving their hands in front of my camera lens as well. They called me every name in the book and threatened to call the police, which they said they did. The police never came. It was a bizzare day, and I was told that they have my license number and are going to come over my home and harass me. 

To see more photos from his day in Ontario, go to Ted’s blog LA Photo.

The Annenberg Space

la-0171

We finally made it to the Annenberg Space for Photography in Century City this week. Just a week old, the Space’s mission is to be a community center that showcases both digital and print photography — a sort of heavenly high-tech hang-out for fans of the art form.

The venue itself is sleek: all clean lines and modern design, with fresh white flowers in vases and multiple flat screens relaying image after striking image.  The current exhibit is called L8S ANG3LES, and it features the work of 11 photographers with varying styles: John Baldessari, Julius Shulman, Tim Street-Porter, Douglas Kirkland, Greg Gorman, Lauren Greenfield, Catherine Opie, Carolyn Cole, Lawrence Ho, Kirk McKoy and Genaro Molina.  

Eleven photographers is a lot for the amount of space they have, and there wasn’t really enough of each photographer to give you a decent overview, or even introduction, though there were multiple videos running that offered more of each photographer’s work. We particularly liked Julius Shulman (awesome California architecture), Douglas Kirkland (amazing celebrity portraits) Genaro Molina (never heard of him but want to know more), Catherine Opie (though not the best representation of her work on display) and Carolyn Cole (powerful war/strife photography). (Lauren Greenfield? Still don’t get her.)

In the back there is a kitchen (presumably for parties) and a reference room with cool magazines and rare photography books (Helen Levitt, War by the VII agency and Falkland Roadby Mary Ellen Mark to name just a few), with a table where you can just sit down and read for hours if you wish. They’ll also be offering a regular lecture series and workshops (most of the current exhibit’s stars are coming to speak, including Douglas Kirkland and Carolyn Cole). 

la-013

The location I have to say is not ideal, and one wonders why they chose a site that is nestled so deep within a corporate compound that’s anchored by CAA. The main drawback is the parking situation and the maze-like process you go through to find the Space. It’s not one of those places where if you have an hour to kill you’ll just drop by. It’ll probably take you half that time to park and find the place. But, alas — such is the price to pay for great, free photography.

A note about photography on the premises since there was a report recently about the overzealous CAA security guards harassing people: They don’t allow photography inside the Space, however you can take exterior shots and bring your camera inside with you. I was able to sneak the shot above, but I was politely asked not to take any in the area with the photography.

 

Under Water

arntsonflood1
Photo by Dave Arntson

Sometimes I feel bad for the parts of our country that experience a disaster (natural  or otherwise) but don’t have the good fortune of being in New York or DC. There is a major city under water right now, but you barely hear about it.

Fargo, North Dakota’s biggest city, and its surrounding communities have been inundated by unprecedented flooding this past week. At one point the Red River peaked at 40.82 feet, more than 22 feet over flood stage. If that happened in midtown Manhattan, you better believe it would be the world’s greatest tragedy and the coverage would be unending. (And I lived in New York City for seven years and I love the place, but the melodrama gets to me.)

Photojournalist Dave Arntson posted a series of pictures on his  web site this week which are worth taking a look at — they’re great photos of the scene in Fargo and neighboring Moorhead, Minn., but, at the bare minimum, they will make you feel thankful you’re dry.

Don’t Mess With Texas…Cops

picture-3 Image from Action 4 News

Many police officers don’t engender respect because they don’t treat people with it. Time and time again this happens, and the scenario is always the same.  A reporter who is doing his job and doesn’t kowtow to a cop’s demands then gets arrested. The charges are invariably “resisting, ” “obstructing a peace officer” or “interfering with public duties.”

The latest case of police abuse of power comes out of Mission, Texas, where Action 4 News reporter Victor Castillo was arrested this past Thursday while videotaping a crime scene. In the video, Castillo had a minor confrontation with Officer McCrea of the Mission Police Department — actually more more like an exchange of words — and it seems that McCrea didn’t feel like Castillo was being sufficiently deferential so he arrested him.

Just because officers have the ability to arrest anyone they feel like doesn’t mean they should. How about practicing some restraint sometimes? I would imagine dealing with confrontation is a key part of the job description.

If I were a betting man, I would put my money on all charges being dropped and Castillo filing a lawsuit against  McCrea and the Mission Police Department for violating his 1st Amendment rights and for being unlawfully arrested.

On the other hand, I wouldn’t put anything on McCrea being disciplined for his actions. That’s just not how it works in this country. Cops like McCrea can break the law and keep their jobs, but it’s the taxpayers who pay for their crimes.

 

To voice you concerns contact Chief Leo Longoria of the Mission Police by clicking here

Article via ValleyCentral.com

Anthony Karen & the KKK

wedding-high-res
Photo by Anthony Karen

Just when you think we’re getting somewhere, you realize we have a long way to go. Racism is a fact of life in this country, and the Ku Klux Klan is, sadly, very much alive and well. It could be said they’re even more fired up with the election of Barack Obama as president.

We interviewed photojournalist Anthony Karen last June about the unparallelled access he’s had to the KKK, photographing their secret ceremonies and rituals in several states in the deep South. The UK’s Independent recently did this article on the KKK and Karen’s work, and it’s worth a read.

Article via The Independent

My Moment With a Famous Photographer

When it comes to exceptional photography, there are photographers that are known within the photographic community, and then there are photographers that are known by everybody. And if they don’t know the photographer they have certainly seen their work. For instance, raising the flag on Iwo Jima (Joe Rosenthal), the napalm girl (Nick Ut), and the fire hoses in Birmingham (Charles Moore).

One weekend a few weeks back, while shooting a protest against the Israeli invasion of Palestine, I was standing on the edge of the curb right outside the Federal Building in LA, when I turned and saw one of the greats.

Almost instantly I thought, “Wait, is that –? Hold on. Yeah, it is.”

And then I thought, “Should I say something? Should I introduce myself?”

So I did.

Me: Hey, are you –?

He looks at me hesitantly, somewhat put off, like he’d been asked this question too many times his life – quietly hoping that I wouldn’t ask him about his famous photo.

Him: Yeah.

Me: I thought so, you know, I really enjoy your work.

Him: Thanks. Who are you? Who you work for?

Me: My name’s Shawn. I don’t work for anybody. I’m a documentary photographer doing this on my own.

And after I said that it seemed I really turned him off, like because I don’t work for a publication my work must not be any good.

So I thought about leaving, but I wanted to ask him a question about his work documenting one the world’s most violent gangs.

Continue reading ‘My Moment With a Famous Photographer’

Court Clears Chicago Photojournalist

2336194656_e4d6de7fe51
Photo by CatalogThis

For those of you who followed the story here back in October and November, you’ll remember that Mike Anzaldi is the freelance photojournalist who was unjustly (some would say ridiculously) arrested twice in Chicago for trying to shoot footage at crime scenes. The conclusion to the story is that a judge finally ruled in his favor, but the path to that point was predictably convoluted and drawn out.

After several court dates over the past few months, and coverage by the Chicago Tribune, the city and state decided that they would indeed press forward and charge Anzaldi with breaking the law. (Anzaldi heard that the coverage by the Tribune was in part responsible for the decision to move forward.) He was charged with two ordinance violations by the city and three counts of obstruction by the state.

Anzaldi picks up the story here:

Several court appearances went by with no real clear indication of what I was being charged with. The judge agreed, but allowed the state to amend their charges so that they made sense. This happened a few times. If it sounds silly, believe me, it was better being there. Even after the judge held the state’s hand through these pre-trial follies, the state still didn’t satisfy the court. 

The day of the trial, my attorney made a few pre-trial motions to dismiss a couple of the charges. The state was arguing that I obstructed the commander by filming. My attorney argued that it was impossible to obstruct by filming. The judge agreed, and tossed out that charge. The problem for the state was that their whole case was based on that notion; they argued that my filming created a chilling effect to the people who were gathered around me when the commander came over to interview them about the shooting. Never mind that it never happened. There was no interviewing, and no one was chilled.

 But, that was their made-up story, and they were going with it. Again, the judge threw that out before the trial began, so it was like the whole day, and their whole strategy, was out the window by 10 a.m. The rest of the charges were equally hollow and ridiculous.

At the end of the day, the judge admonished the state for failing to defend their claims.  He also mentioned that the commander’s testimony was surprisingly different than what was recorded on tape. While stopping short of calling him a liar, he said he didn’t understand why he would testify something different from what we would see on tape.

That said, the judge also indicated that if the state had successfully argued that their case was based on me chilling potential witnesses due to my filming, that he would have likely accepted that claim. Again, that didn’t actually happen, nor did the state have that opportunity due to their own incompetence.

Anzaldi is contemplating his next move. And he still has his video of the first incident, which he says is fairly tame, but it does prove his innocence without question. He says he may or may not release it one day.

Rally Guards Block NYC Photographer

We posted on a pro-Palestinian rally that took place in LA a few weeks back, and there was a similar event in New York City in January. This video shows a credentialed photographer being harassed by event “security guards” (which are actually just civilians in neon vests) and knocked over the head by protesters with signs. The NYPD doesn’t seem to care either.

If you go to 7:07 of the video, a guard/thug starts grabbing the photographer and then forces him far away from the protesters. The guard/thug then lunges at the photographer for no apparent reason other than he’s a hot head on some sort of a retribution mission. NYPD are nowhere to be found. And when they do finally show up, they’re useless.

This is America. Times Square. The photographer has credentials. It’s a public rally. This shouldn’t be happening here. But what’s truly puzzling is that there doesn’t seem to be any downside to letting a photojournalist photograph your event. What are they so worried about?

Protesting for Palestine

 

0318a004 Photos by Discarted

Discarted attended the pro-Palestinian protest at the Federal Building in Westwood in Los Angeles this past Saturday. Hundreds came out to show their support for Palestine as the conflict in Gaza rages on, and as expected, passions were on display, tensions were high and the LAPD was in full, excessive riot mode.

0321a024

LAPD arrests a protester for unknown reasons (below). Seconds before someone climbed a flagpole to hang the Palestinian flag next to the US one, leading to chaos between police and Palestinian activists.

0311a023

As the crowd grew larger (below), people confronted the LAPD, yelling “Let him go…Let him go!”, forcing the police, clad in riot gear, to back away and point their rubber bullet guns at peoples’ chests just three feet from them.

0311a035

Wedding Photographer Threat to National Security?

Jess Hurd, a photographer for the Guardian, was detained for 45 minutes by Metropolitan police Dec. 10 for taking video and stills at a Ramada Hotel in east London. Hurd was working on a story about weddings within an itinerent community known as travellers, but police felt she might be doing reconnaissance as a terrorist.

The police justified their actions by saying they are within their rights if they see suspicious activity, especially if it’s in close proximity to a sensitive sight. Apparently the Ramada was close to both the airport and a wharf. It is unclear what is suspicious about a credentialed press photographer outside a wedding reception.

The National Union of Journalists released a statement today that says, in part, “This is yet another absurd misuse of the s44 powers which are designed to allow the police to detain those actively involved in carrying out a terrorist activity not to stop press photographers carrying out their legitimate business.”

The Amateur Photograher blog says Hurd is considering legal action.


Spam Blocked