Archive Page 62

Pupil’s Demonstration (26) – 08Apr08, Paris (France)

Photo by philippe leroyer

Grab Your Cameras: March for Immigration Reform

Photo by Shawn Nee / discarted

Not sure if this one will materialize, but there is an immigration reform march planned for this Saturday in downtown Los Angeles. The start time is allegedly 10 pm (which is very odd), since most rallies usually kick off before noon. I’m guessing the march actually begins at 10 am.

Date: Saturday, October 16, 2010
Time: 10 pm (the march may actually start at 10 am)
Location: Olympic and Broadway intersection (downtown Los Angeles)
Los Angeles, CA

Source: The Los Angeles Independent Media Center

Ken Heyman Exhibit at UNC School of Journalism

Photo of Ernest Hemingway by Ken Heyman

“Not everyone will know Heyman’s name, but they are likely to recognize his work,” said Jean Folkerts, dean of the school. “Heyman created iconic images, and through them he told important stories. I’m glad we can share those stories with all who visit the school.”

To see Heyman’s work check out his website.

Source and exhibit details: UNC School of Journalism and Mass Communication

Next Week’s Theme: Superheroes

Photo by Shawn Nee / discarted

Starting Monday, Oct. 18, our theme for the week will be “Superheroes.” So if you have, or know of, any great images of caped crusaders — portraits, street, documentary, etc — send them our way.  We’ll pick a special five to include as the Photo of the Day.

Submit here.

rehearsal

Photo by Zisis Kardianos

Alex Webb Wonders Istanbul

Although it’s a few years old, Alex Webb’s Istanbul: City of a Hundred Names is still probably one of the better multimedia projects to ever grace the internet. And if you’re not familiar with Webb’s work, he is often referred as a master of composition and one of the best documentary photographers to ever hold a camera. His abilities will fill you with jealousy and self-loathing as you ask yourself, “Why can’t I take pictures like that?!”

To see more of  Alex’s work, click here.

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Photo by faelius

DHS Officer Bans Photographer From Public Protest in Los Angeles

Last week on October 5, I decided to head to downtown Los Angeles to photograph a rally that was being held at the federal building. What was dubbed as a National Day of Action against FBI Repression ended up being a major non-event, and only about 5-10 people were there to protest the FBI’s recent raids that targeted political activists in Illinois and Minnesota.

So for a photographer hoping to capture another protest with the usual high energy associated with these kinds of events, there really wasn’t much to photograph. Plus, it started raining fifteen minutes into this tiny protest, and that was still before anyone even arrived. However, at the same time the rain started falling, a Department of Homeland Security vehicle arrived, which caused me to believe that people were going to show up—at some point—and they did.

I stuck around and burned the roll’s last few frames on the lackluster protesters that finally arrived and used the very last frame for the Homeland Security decal that was on the front fender of the DHS SUV. It seemed like an important stock image to get, seeing that DHS has been known to harass a photographer or two. I thought I could use my photo for future posts dealing with DHS harassment rather than pulling the DHS decal from the web.

Well, I should’ve known that I would be posting a video showing a DHS officer prohibiting me from returning to a protest that was being held on a public sidewalk before I even processed the roll of film I shot that day.

nyc salute

Photo by Mike Peters

Photography Link Roundup

Photo by Flip Schulke/U.S. National Archives

• Stephen McLaren and Sophie Howarth talk to the BBC.com photo editor about their new book, Street Photography Now: “What keeps me doing this is a belief that one of photography’s core purposes is to discover poetic moments in everyday life,” says McLaren. [BBC]

• Remember how those oil-soaked animals really galvanized public outrage during the BP oil spill? Photographer Joel Sartore’s striking images will appear in the October issue of National Geographic. [NPR.com]

• Brian Ach, a “top stringer at Wireimage’s NYC office,” gives the lowdown on being a wire service photographer. Among his revelations: It’s hard, the pay stinks, it’s fascinating.  [JPG]

• “panoptICONS” is a  creepy comment on a world living under constant surveillance. To do this, two Dutch artists placed birds with cameras for heads throughout the city. [Wooster Collective]

• Photographer says Bret Michaels’ abs are real, not Photoshopped, on the cover of Billboard. [Billboard]


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