Archive Page 49

A Master Street Photographer is Unearthed

Photo by Vivian Maier, courtesy of John Maloof

The late photographer Vivian Maier has been having a bit of resurgence lately — actually, resurgence implies she was known at all. In fact, the Chicago nanny’s work might never have seen the light of day if weren’t for a fortuitous string of events.

It all started when a young real estate agent named John Maloof purchased Maier’s collection of about 10,000 negatives at an auction house in 2007, with the intention of finding archival photos for a book he was working on about a local park. He didn’t find what he was looking for, but instead was propelled on an intense journey to discover who Maier was, and beyond that, bring her the recognition she so richly deserves.

Through his amateur detective work, soliciting advice on Flickr, research, and reaching out to the families she’d worked for, Maloof was able to piece together Maier’s story, and more importantly, ascertain the gold mine he’d stumbled upon. Since then, he’s acquired more of her photos and some of her personal effects: clothing, books, albums, cameras. The collection has grown to about 100,000 black and white negatives and 20-30,000 color slides taken from the 1950s through the 1990s.

Maloof set up this blog to showcase Maier’s photos, sought funding and partnerships, got a book deal, and is working on a documentary film. The project has turned into a full-time job, and consumes him almost entirely. He says he didn’t know what street photography was when he purchased her work. Now, he lives and breathes it.

And amazingly, most of Maier’s work is still unseen, including dozens of undeveloped rolls of film. But what is out there is pretty great — demonstrating a watchful eye, a sense of humor, and a thoughtful appreciation for the small details in life.

The first US exhibition of Maier’s photography is currently running at the Chicago Cultural Center through April 3rd.

Los Angeles Times Joins flickr, Launches So Cal Moments

User-generated content is the future of newspapers, so it was only a matter of time before the L.A. Times added a flickr-linked photo feature to its web site. The decision came about as a result of the web team looking for ways to engage the readership and finding that the in-house methods they tried just didn’t catch on. The new flickr group was started in early December, and every day they’ll choose a photo to feature on L.A. Now and Southern California Moments.

It’s expected that some photographers will be upset over the idea that the L.A. Times is just one more news site to take advantage of user-generated content without compensating the contributors. Which, is a very valid position and something I agree with most of the time.

I rarely contribute to web sites that aren’t willing to pay for material, and as a group, it’s best that photographers (and all content providers really) not chum themselves to feeding sharks on a daily basis.  But I am not against working pro bono and will definitely contribute work on occasion to quality websites and online social media projects.

For instance, I did a non-paid assignment for LAist.com last year, and after the subjects saw the completed photo essay I was asked if they could use my work for free in their yearly brochure. I said no for various reasons. And to prove a point, I asked if the printer who was producing the brochures was not being paid as well.  I did the initial assignment for free because I was interested in the subject and I’m friends with the writer.  I was also able to visit a part of California that I had never seen before, too.

Prior to that, I contributed a photo to Found Magazine because I thought that an old Polaroid I discovered in an abandoned house showing someone dressed like the bunny from Donnie Darko, pre-DONNIE DARKO!, was the most awesomest thing ever! Fans of the magazine thought so too once the photo was published on Found’s website.  But around the same time, my photo of Superman and Hulk “lighting-up” appeared on a very popular website that generates revenue — without my permission or credit.  I emailed the admins to remove the image from the site immediately and they did so.

And currently, I’m photographing Stephen Box’s Los Angeles City Council campaign gratis because I support his overall message and really want him to win the upcoming District 4 election in March.  On the other hand, I did state that the photos cannot be used by any local media free of charge.

Finally, I would absolutely never provide cell phone video or still images of a breaking news story to any news agency (a common occurrence nowadays) without compensation because I know that the paid staff reporters who didn’t arrive on the scene early enough to get decent footage of the actual event are stuck shooting b-roll shots of police tape and cops standing around their cruisers.

Now I realize that this may seem like one big contradiction.

However, if you’re a self-taught photographer with few connections to editors and paying assignments, you have to evaluate each situation and make decisions that are best for you in order to get your work the attention it deserves.  And the L.A. Times’ Southern California Moments seems like it could be a good opportunity for talented photographers who are working diligently to get their work some exposure. There’s also the slight possibility that someone will see your work featured on the site and hire you for a job.  So unless you’re truly happy with just flickr’s way of “promoting” your work, then why not contribute?

Plus, it’s a great feeling to know that an L.A. Times staff member thinks your work is good enough to share with their readers.  Especially when the newspaper already has Don Bartletti, Barbara Davidson, Rick Loomis, Luis Sinco, and Carolyn Cole on their staff.  I mean, with a dream team like that, it’s not like they’re lacking any amazing images of So Cal moments or existing content that actually drives traffic to the site. (Have you seen Davidson’s recent photo essay Victims of Gang Violence?  Awards are coming for that great piece of reporting.)

On the other end of the photographer spectrum, there are probably a lot of hobbyists who could care less about compensation, exposure, or even know who Don Bartletti or Carolyn Cole are. They’ll be happy just to see their work on a major news site like the L.A. Times because it will give them something to show to their family and friends.

But more important, after talking with Martin Beck, the paper’s reader engagement and social media editor, via email, he assured me that the L.A. Times flickr group is not intended to be a “free source of file or stock art.”  Which is a good thing to hear from a working journalist, who also added that he empathizes with folks who aren’t being paid for their work. So based on that, I believe that both he and Web Producer Armand Emamdjomeh have the best intentions regarding this project, and I’m going to contribute my work — which, you might want to consider doing too.

To join the Los Angeles Times’ flickr group, go here.

Photo by Shawn Nee

Photography Link Roundup

• The New Yorker’s photography blog is running five exclusive excerpts of Cheryl Dunn’s documentary on street photography, Everybody Street – featuring Bruce Davidson, Mary Ellen Mark, and more. [Photo Booth]

• New York Times staff photographer Fred R. Conrad explains how he got a pretty sweet shot of a balloon delivery in progress totally by accident. [Lens]

• Refocus is a nonprofit that teaches photography to disadvantaged and marginalized minority groups, and they’d love your old cameras. [Refocus]

• A Maryland hospital has banned photos and videos of newborns in the delivery room until five minutes after birth. They think this rule will help the medical staff to do their jobs better; we think there are going to be a lot of angry parents. [ABC News]

• Update to a story we posted on in December: a Google engineer named Neil Fraser posted Jeremy Marks’ bail to get him out of jail in time for Christmas. Marks had been in jail for eight months on charges of “attempted lynching,” or in other words, filming a police officer with his cell phone. The whole thing is a farce, but thankfully there are good people in this world. [LA Weekly]

Have a Funky Christmas

Regular People Still Paying With Anti-Terror Methods


Photo by Joe Architect

More criminalization of photography underway: Las Vegas is the latest place to implement the hysteria-inducing anti-terror campaign, “See Something Say Something.” Eight area billboards will ask for the public’s help in identifying suspicious activity. 

What does that look like, according to the Las Vegas Sun?

It could be a car parked in a suspicious spot, a person taking unusual photos of a building’s infrastructure or even snippets of an overheard conversation that raise concern.

And on the other side of the country, the Washington Post is reporting that authorities have now implemented random bag searches in Washington, DC-area Metro stations. As someone who regularly uses this dilapidated system, I can tell you if the people doing the searching are anywhere near as incompetent as those who run and operate it, “terrorists” don’t have anything to worry about.

(Thanks to MP)

Paparazzi for a Day, Memories for a Lifetime


Photo by two cute dogs

There are many wonderful things to do in LA … the Getty Center, Venice canals, Griffith Park, Kogi BBQ truck … but if you’re visiting, why not spend $150 to shadow paparazzo Rick Mendoza, best known for suing Britney Spears for running over his foot.

The “Rolling With the Paparazzi” tour will let you “chase celebrities all day,” or for three hours, and experience the “thrill of the hunt,” or show up when a Kardashian sister texts to let you know she’s leaving her gym.

(Lawsuit is sold separately.)

Source: LA Times

me and dad 1977

ms.rees

Photography Link Roundup

• During the period of 1935-1944, the Farm Security Administration undertook a photo project to document American life. The book Killed compiles 157 rejected photos by FSA director Roy Stryker, photos that didn’t meet his exacting standards. The above video, “Punctured,” put together by William E. Jones, is a sampling of some of the castoffs that were marked by a hole punch.

• Mick Rock — “the man who shot the seventies,” i.e., Andy Warhol, David Bowie, Queen, and just about everyone else — talks about his new book. See Rolling Stone’s slideshow here. [Bloomberg News]

• Forty years later, John Filo remembers the Kent State riots and the circumstances behind his Pulitzer Prize-winning photo, one of the most iconic images of the era. [Neon Tommy]

• Photoshop wiz Danil Polevoy drops modern-day pop culture icons into old photos, creating incongruous images like half Storm Trooper/half vintage military officer. [Design You Trust, via Boing Boing]

• Sit down at your own risk: a photo gallery of the 50 Scariest Santas. [UGO]

Shawn Nee

LA Student in Jail for Cell Phone Taping

How does a situation where a campus police officer reprimands a high school kid for smoking escalate into a felony charge and a possible seven-year jail sentence for another?

That’s a good question, and the focus of an LA Weekly story this week will really make you question justice and the American way and all these lofty ideals that supposedly make our country great. It all started when Erin Robles, an LAUSD campus police officer, approached a Verdugo Hills High School student for smoking at a bus stop a few blocks from school. The situation quickly turned ugly, with Robles getting aggressive and a group of taunting students quickly egging them all on. Robles, clearly out of her depth, drew her baton, roughed the student up, and knocked his head so hard into a school bus that the window fell out.

But the only person who is paying for the incident is Jeremy Marks, 18, who taped the altercation with his cell phone and allegedly, according to Robles, yelled out “Kick her ass!” But by most accounts, and even other cell phone videos, Marks didn’t do anything other than observe, and in fact, was one of the less vocal and aggressive students there.

That doesn’t seem to matter to LA District Attorney Steve Cooley who’s out for blood in a major way. Marks has been in jail for seven months already and Cooley wants him to accept a plea deal that will give him a mere 33 months in jail in exchange for pleading guilty to obstructing an officer, resisting arrest, criminal threats and attempted lynching. Yes, you read that right — lynching.

I guess there aren’t enough real cases to prosecute in LA County that the authorities have the time and money to go after a high school kid for pissing off a campus officer. Really, can Cooley sleep at night knowing this is the “justice” he calls his life’s work? And Robles for her part is some sort of incompetent, vindictive officer that wants payback for being embarrassed by a bunch of kids. Because that’s what this amounts to; everyone seems to be placing their own ego above the scale of the violation that in reality may have been ugly, but was nowhere near criminal.

Meanwhile Marks’ life will be ruined and if he isn’t a criminal now (which he isn’t), he almost certainly will be when he emerges from jail in 33 months or seven years, whatever the outcome may be.

Source: LA Weekly


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