Archive Page 103

Found on Flickr: evg3 photography

evg3_1

This is another installment in our continuing series where we talk to photographers whose work we’ve appreciated on Flickr.

This week we feature evg3 photography.

cinemafia: Your body of work spans many genres, from journalism to fashion to lifestyle. Yet, there seems to be a common theme or connection between all of your photographs that is difficult for me to describe. Could you tell me how you feel about the different kinds of work that you do, and how they might all come together?

evg3 photography: I think I’m looking for stories; there’s always a story behind a good image, you can feel it in a landscape, in a face, in the composition that suggests something you usually never see. Anyway, most of my work focuses on portraits or places that show you somehow the human existence.

cinemafia: You have many examples of street photography, or perhaps street documentary, in your stream that is taken from daily life in Mexico City. Being one of most highly-populated urban areas in the world, I wonder if you’d talk a little about the unique dynamic of approaching and photographing people there. In Los Angeles, there is a culture of suspicion and contempt for many people who photograph strangers in public, and I wonder what are the similarities or differences there in Mexico City.

evg3 photography: Indeed, most people don’t want just to be photographed, it’s kind of invasive. I believe the key is to get closer in order to make a great image, to tell a story; it’s about being human. Most photographers use the camera to take “snapshots” that only show the surface, not the real person. That happens with places too; a serious photographer needs [to be] going deeper, to share yourself, be a friend. I bring always with me an iPod touch with my portfolio to show my portraits – that works great to give an idea that I’m a serious photographer.

evg3_3

cinemafia: I wanted to ask you about something you put in your flickr profile, and it has to do with the idea of the photographer and the camera, a kind of “man vs. machine” concept. This is a an important discussion because it is true that many budding photographers get caught up in buying the best camera and gear and lose sight of what it is they’re trying to do. I wonder if you can talk a little bit more about this – give us some details as to why it’s not the equipment but the eyes and brain behind it.

evg3 photography: Cameras are only tools; when you need special equipment [it] is because you have something in mind. I think most of those “photographers” don’t have a clear idea of what they want. It’s the same with software.

Continue reading ‘Found on Flickr: evg3 photography’

The Nightshift

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Photo by Drew “Rukes” Ressler

LAist has an interview today with nightlife photographer extraordinaire, Drew “Rukes” Ressler. Ressler started out shooting DJs just for free entry into clubs, then he got hired by the Hollywood club Avalon, where he says he made his 40-hour-a-week salary in one night. (Sounds gloriously fantastic in these brutal economic times.) Now he’s one of the premiere shooters of the genre.

Click here to read Ressler’s insights on getting into the nightlife racket, respecting the DJs and, oh yeah, when he says he’s compared to Annie Leibovitz.

Is Photography Sexy?

011Photo by discarted

Along with baristas and personal trainers, photographers are sexy – at least according to this article on MSN Careers detailing “10 Sexy Careers You Never Thought Of”:

Artsy types get a boost in the sexy department for having a strong sense of style and a unique perspective on the world. Even among artists, photographers stand out because they stay behind the camera, finding beauty in unconventional and overlooked places. Their willingness to stay out of the spotlight and focus their attention on someone else is endearing.

The logic on the list is totally ridiculous – mail carriers’ “legs look nice in those signature navy blue shorts”? But…whatever, take it where you can get it.

Article via MSN Careers

Oakland Schools Police Chief Outta There

Oakland School District Police Chief Art Michel, who was involved in a nasty confrontation with an Oakland Tribune photojournalist in November, will resign this week. A school district spokesperson wouldn’t give a reason, and an article on InsideBayArea.com said it’s likely due to a compensation and benefits issue and not the incident, but please. This man’s behavior is totally unacceptable and an embarrassment. Enjoy the private sector, Art.

To see our previous post on the topic, go here.

Article via InsideBayArea.com

Chilly Reception for English Photographers

From the Independent, this article details the increasingly fraught environment for photography in England where police, using the all-encompassing Anti-Terrorism Act, regularly harass and detain photographers who they believe to be a threat.

Reuben Powell was jailed for five hours for taking photos of a public building in London last week. (He was ultimately released, but they did take his DNA for good measure.) The article also points to the now constant problems for railroad enthusiasts and the case of Jess Hurd, which we posted on last month.

And while the police do have a clear-cut policy on how to handle public photography, the officers in the streets seem to wantonly enforce the law whichever way they please.

Jeremy Dear, the general secretary of the NUJ, said:

Even the police’s own guidance makes it clear that there’s nothing in the Terrorism Act that can be used to prohibit the taking of photos in a public place. The authorities have got to do more to ensure that those people charged with upholding the law don’t keep on contravening it by trampling over well-established civil liberties.

Article via The Independent

Photo of the Year: Part 3

lil-flip1

Photo by cinemafia

For my photo of the year I decided to pick an image of a traffic accident that occurred on Highland Avenue, right off the 101 in the early part of October. It’s a spot that I cross at least two times a day, five days a week, on my way to and from work. More importantly, it’s notorious for staging traffic accidents due to the confusing lane structure and light patterns.

What was different this time is that I decided to stop and document the accident. Most people just rested their heads on their shoulders and bitched about having to be diverted from the northbound Highland lanes to the southbound 101, and some may have even snapped a pic of the flipped car with their cellphone. But I decided in an instant to find somewhere to park, which was by no means easy, and get as close as possible to the crash.

Stowing my car on Cahuenga on the other side of the highway, I ran full speed under the 101, through bushes and to the scene of the crash. Out of breath, I dodged cars being directed to the detour, and finally got withing a stone’s throw of the car, resting silently on its top. Something about seeing this car on its back, like some kind of giant, dead beetle, felt at the same time alarming and amusing. It was something so familiar, only upside-down, and still mostly intact.

The first responders to the accident were two men from AAA, and I asked one of them, Sam, if I could take some photos of the scene from the perimeter that had been marked off by orange cones. He asked me if the shots would be in the paper, and I told them they would. He asked me which paper, and I told him the Times…a lie, but in the end it got me the shot.

Sam motioned for me to come closer and told me to hurry up because the cops were on their way and they were a bunch of assholes who would give me a hard time. I quickly crouched down on the ground right next to one of the cones circling the wreck and began shooting from a low angle. Seeing the scene from this close, without the chaos of the cars being detoured and the human elements involved, it felt serene, like any quiet urban landscape with the surrealist, overturned car thrown in for a gag.

After I took some shots, Sam asked if I’d take a few more of him next to the wreck. He told me that no one ever showed them (AAA workers) any appreciation, and he asked me to mention them and how they helped the victims involved in my article for the paper. I obliged and then thanked him and went on my way, feeling something like any journalist must when they nail the story they’ve been put to.

City of Lost Carts


Photo by discarted

Our own Discarted is featured in the mini documentary “City of Lost Carts,” a film on his extensive shopping cart photography circa 2006-2007. Shot as part of a 48-hour film contest by filmmakers Karen Kane and Kurt St. Thomas (in which they shot and edited the piece over a weekend), it’s an interesting look at a photographer’s motivation and transformation – and how one subject invariably leads to another.

Watch the film here.

And the Photo of the Year is…


Photo by discarted

Keeping in line with last year’s resolution to procrastinate more, and seeing that we’re already two days into ’09, I’ve finally mustered up the initiative to post my favorite image of 2008.

During the past year I found myself in the middle of all kinds of unforgettable situations, ranging from the most intense protests to the secret sex room of a transvestite hooker.

I lost friends/subjects that I loved dearly to their alcohol and drug addictions, while others decided to move away in order to escape the grind of Hollywood, leaving me hollowed out, deflated, and questioning my intentions. For weeks I would go without shooting anything, asking myself if what I was doing was serving any kind of purpose.

But as the weeks passed and the dust settled on my camera, that indescribable thing inside of every passionate photographer crept quietly back and I found myself with old friends, photographing them again, as if no time had passed. 

For the most part, I consider myself a documentary photographer rather than a street photographer. It’s something I’m quite proud of, and hold the material up to a much higher standard than the street work I have done. 

Now I do realize my documentary subjects’ photos are on my website and flickr, but they are meant to hang in a gallery somewhere and they definitely deserve better than some blog posting, proclaiming they’re my favorite image of ’08. So that is why I chose a “street” shot for my favorite image of the year.

It’s an image, as well as a moment, that has been ingrained in my mind and will remain for many more new years to come.

As for my new year’s resolution, I’ve chosen the path of most resolutionaries and have decided to trim the fat.

But not from me…from my flickr account.

Within the past week, the image tally has been reduced from 1036 to 754.

JPG Magazine Closes

In a further sign of these woeful times, JPG Magazine, the user-generated photography glossy and web site, will close down as of January 5. In an email to members (and on the blog), editor in chief Laura Brunow Miner said:

We’ve spent the last few months trying to make the business behind JPG sustain itself, and we’ve reached the end of the line. We all deeply believe in everything JPG represents, but we just weren’t able to raise the money needed to keep JPG alive in these extraordinary economic times. We sought out buyers, spoke with numerous potential investors, and pitched several last-ditch creative efforts, all without success.

While JPG’s concept was clever – users submit and vote on the photos that ultimately make it into the print installment – it’s execution frequently left much to be desired. At first the photography was original and exciting, but when the selection devolves into a Jonas Brother fan (on page 54 of issue 14), you have to wonder.  

An update on the site today said that with the outpouring of support they’ve received from the communitythere have also been some viable leads, so it’s possible JPG may continue in some form or another. At least for fans, JPG’s archives will remain, and there’s always the flickr group.

Our Photos of the Year

 observatory-web

We here at the Discarted blog decided to post our favorite photos of the year – that we ourselves took. I’m not in the same league as discarted or cinemafia, but I like to pull out the point-and-shoot once in awhile. Or as a certain someone calls it, the point-and-miss-it.

For me, it was a tie. I took this one in Griffith Park in Los Angeles. Despite there being practically no visibility on most days up in those hills due to smog and pollution, the light and colors at the Observatory are gorgeous.

I also like this one I took in Utah in September on the return leg of my six-week-long cross-country road trip. I was overall pretty amazed with Utah and now think you haven’t really lived until you visit there.

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It is the remains of the Dewey Bridge, built in 1916, located on the Upper Colorado River Scenic Byway – one of the most beautiful drives in the country. In April, a fire, accidentally set at a nearby campground, destroyed it.


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