Archive for the 'Photojournalism' Category



Eye of the Photographer: Douglas Kirkland

Photographing the Front Lines

On the heels of back-to-back A1 photos in the New York Times, The Columbia Journalism Review has an interview with freelance conflict photographer Moises Saman. Along with explaining how he got the shots that ran with stories on the WikiLeaks documents, Saman had a lot to say about his good friend and colleague João Silva, who lost both legs to a landmine in Afghanistan last weekend.

But when something like this happens there are many questions that go through your mind. You try to reconcile that sense of loyalty to a story—the reason you got into the business in the first place. You have to keep focused and continue to do your job. I still feel strongly that it’s very important to have independent journalism, especially from conflict zones.

On a side note, Foreign Policy has a gallery of Silva’s war zone work here.

Source: CJR

White House Photographer Pete Souza is Taking Your Questions

To submit  your question go here.

Power of Photojournalism 2/2

Winners of the 66th Pictures of the Year International and editors talk about photojournalism and their work. Winning photos are also presented.

Michael Kamber I Military Censorship

During embeds with the United States military, Kamber was limited in regards to what he was allowed to photograph. One day during his time embedded, Kamber’s unit was attacked by an IED. After a quick recovery from the debris, Kamber began to photograph but the unit captain yelled out to him “no pictures!” Kamber replied “I’m here to do my job and you can take my cameras later.” The U. S. military later warned The New York Times not to publish the photos and also threatened to revoke the paper’s embed access. Mr. Kamber and his editors dug through the images from that day and tried to conform to the military’s requirements. The graphic images were left unpublished.

To see more of Kamber’s work visit his website.

TOTH: The Click

Power of Photojournalism 1/2

Winners of the 66th Pictures of the Year International and editors talk about photojournalism and their work. Winning photos are also presented.

Part 2 will be posted tomorrow.

Voice of the Photographer: Carolyn Cole

Photojournalist Carolyn Cole recounts the stories behind some of her award-winning images. Part of the Voice of the Photography series created for the Annenberg Space for Photography inaugural exhibit L8S ANG3LES. (March – July, 2009)

“Thank You For Your Call” at Open Show Los Angeles

This Thursday evening, the Translight Photography Center will host the first Open Show Los Angeles event near the downtown area.

Conceived in 2008 under the name SideSlam, photographer and multimedia producer Tim Wagner, along with Adrianne Koteen and Melanie Light, created the event to give artists the opportunity to showcase their work and receive feedback for their efforts. Two years later, what began as a small gathering in the San Francisco Bay Area is now called Open Show and being held in cities throughout the world.

Open Show runs regular events where the public can see fresh, compelling work and interact directly with photographers, filmmakers and multimedia producers in high‐profile spaces. Our free monthly show is a social mixer plus screening event where five curated presenters (from professionals to students) have 10 minutes each to show a 20 image story or 4‐7 minute video/multimedia project.

The presenters for Open Show Los Angeles are:

Mark Indig (Close on Sunday) : MarkIndigPhotography.com

Shawn Nee (Thank You For Your Call) : discarted.com

Steve Saldivar (East Los Angeles) : stevesaldivar.com

Michael Kirchoff (An Enduring Grace) : michaelkirchoff.com

LOS ANGELES SHOW:
Thursday, October 21, 7:30-9:30pm
Translight Photography Center
618 Moulton Ave., Suite #E
Los Angeles, CA 90031

RSVP on Facebook

Cuded Presents “30 Engaging Documentary Photos”

Photo by Tom Hoops

Documentary photography is when a photographer attempts to produce truthful, objective, and usually candid photography of a particular subject. We’ve compiled a selection of of 30 photos that greatly exemplifies that definition.

To see the rest of the photos chosen by Cuded go here.

VII Gallery Workshops Accepting Portfolio Submissions

For more info and details on how to apply visit VII.


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