Archive Page 85

Change Is Not in the Air

On January 20, 2009 President Barack Obama took over the Oval Office after riding a wave of voter support and momentum that was generated by his YES WE CAN campaign. And a defeated and lame duck George W. Bush crawled back to his Crawford ranch for some tree trimming. However, since President Obama’s inauguration it appears he has forgotten his campaign message, and simply took a well-known play out of the old political campaign playbook—and that is: do and say whatever is needed to win the election.

For instance, Xe Services, formerly the infamous Blackwater, continues to garner government contracts (along with other private security contractors), allowing them to continue working alongside US military forces in countries like Afghanistan and Pakistan. The Guantanamo Bay detention facility is still in operation even though President Obama issued an executive order in January 2009 to close the prison within a year. The Patriot Act, which chipped away at Americans’ civil liberties during the Bush Administration, had three sections of it extended by President Obama in February 2010. And finally, Bagram Air Base, a known US torture facility operating in Afghanistan and dubbed Obama’s Guantanamo, functions as if the Bush Administration were still running the place. In April 2009, the Obama Administration appealed a US District Court ruling that some detainees at Bagram Air Force Base are entitled to challenge the reasons for their detentions.

So it appears that Obama’s YES WE CAN doctrine really hasn’t come to fruition, which is why there are more anti-war protests scheduled for this weekend, which marks the seventh anniversary of the US-led invasion of Iraq.

On Saturday, March 20, 2010, thousands of people will take to the streets in Washington D.C., San Francisco and Los Angeles (among others) to protest against the wars in Iraq and Afghanistan. Sponsored by the Answer Coalition the Los Angeles march will begin at 12 noon at the intersection of Vine and Hollywood Boulevard. And if it’s like years prior, this Saturday’s march will certainly be an emotionally charged event, providing plenty of opportunities for photographers to capture some important moments in history. So if you’re in the Los Angeles area on Saturday, be sure stop by Hollywood and Vine for a good ol’ American protest.

Photography by discarted

The Consumerist, the New Censorist?

Meg Marco by Meg Marco

UPDATE: The discarted user account is no longer available on Consumerist. Maybe it was deleted by them? Guess we shouldn’t have written this post.

The Consumerist is a well-known website that prides itself on highlighting the persistent, shameless gaffes of modern consumerism – and the latest scams, rip-offs, hot deals and freebies. However, despite all of these great things Consumerist stands for, apparently some people who work for Consumerist don’t have a problem with being a hypocrite, or silencing their critics by censoring them in their online comments.

For instance, Meg Marco, Consumerist’s Co-executive editor, recently posted a brief summary of an incident involving a Burlington, Vermont, street photographer who was banned from a mall for an entire year, even though what he was doing was completely legal. Meg writes:

A coffee shop in Vermont has issued an one-year universal trespass order that bans a local amateur photographer from 67 establishments on the Church Street Marketplace because he would not comply with repeated requests to stop photographing the patrons and employees of a coffee shop. Here’s his Flickr stream.

This one should be fun. On one side you have a guy who is perfectly within his rights to hang out and photograph people in a public place. On the other hand you have a coffee shop and 66 other merchants who are sick of their customers and employees being creeped out by a guy taking pictures.

She continued by selectively pulling the following from the much larger and original article in Seven Days:

About a month later, during a February snowstorm, Scott shot some pictures of a woman smoking a cigarette outside Uncommon Grounds on Church Street. Scott claims he was about 50 feet away when the woman, an employee of the coffeehouse, noticed his camera and asked him not to take her picture. Scott claims he backed off. But the woman also asked Scott to delete the pictures he’d already taken of her. He refused. The following Monday, March 1, a Burlington police officer again showed up at Scott’s workplace, and this time issued him a one-year universal trespass order that bans him from 67 establishments on the Church Street Marketplace. If Scott enters any of them, he could be arrested.“If I had been drunk and gone into Uncommon Grounds and created a loud scene, I can understand why they wouldn’t want me in there,” Scott says. “But I wasn’t even in the store. I wasn’t even in front of the store.”

Manager Mara Bethel tells a different story.

“We’ve had a problem with him a number of times before — taking pictures of women, specifically, on the sneaky side of things — without asking their permission,” she says. “A number of customers have come in and said, ‘There’s a guy out there taking pictures and it’s really creeping us out.’”

Bethel confirms that Scott didn’t enter the coffeehouse to take pictures, nor does she describe his pictures as “lewd.” Nevertheless, she says, Scott’s persistence and demeanor were “unsettling” to her and other employees.

“For the young women around here, it felt really uncomfortable, someone kind of lurking about, and then quickly taking their picture and turning away,” Bethel says. Moreover, when someone asked Scott what he was doing, she claims he became defensive and argumentative.

And finally she ended in her own words with:

It seems that both parties are within their rights. The photographer can stand outside creeping people out and the coffee shop and other merchants can ban him from coming inside for whatever reason they like…

After reading what Meg wrote, it was very clear to me that I did not agree with Meg or her obvious stance on the matter. Nor did I agree with the way she chose to write her post (especially her selective editing and her repeated use of the word creepy), which was clearly biased with a very obvious subtext that screamed Dan Scott was a perv for taking pictures of people in public without asking for their permission. Which is rather an ironic position for Meg to take, but we’ll get back to that a little later. (However, stay tuned, there is a twist to Meg’s story.)

So of course I decided to write a comment on the Dan Scott post that was very critical of Meg Marco. However, it’s no longer there along with other comments that were critical of her post.

And unfortunately, I didn’t save my original comment posted to Meg Marco’s article because  I thought I didn’t need to since was I posting it to Consumerist, which I mistakenly thought, is about truth, fairness and impartiality. But apparently that is not the case with Meg Marco—she likes to censor her critics.

But hopefully someone at Consumerist other than Meg Marco will read this and we’ll be able to get my original comment as well as the other comments that were not approved, or deleted after the fact, back online so everybody can read them and formulate an opinion for themselves, rather than having it shaped by Meg Marco and her personal crusade against Dan Scott.

I can’t guarantee the accuracy of the following, and I’m sure my original comment to Meg was much more eloquent, but here’s the gist of what I posted:

Meg Marco-

This is probably the briefest and shittiest summary you could have written regarding Dan Scott’s situation. It is clearly biased and also very apparent that you wrote this in support of Uncommon Grounds and with a personal agenda. Rather than asking everybody else what they thought of the situation, why didn’t you just have the brass to come out and say that you don’t agree with what Dan Scott is doing, even though taking pictures of people in public without their permission is perfectly legal. Reading something like this, where there is a clear agenda, just makes me question the legitimacy of all Consumerists writers.

Fail.

What is so ironic though about Meg’s position (this is where I get back to what I touched upon earlier), as well as extremely hypocritical of her, is the fact that it appears Meg also enjoys taking photos of strangers without asking for their permission. Which is exactly what Dan Scott was doing. Hmm.

Check out Meg’s flickr stream here, along with her Strangers set here, which both consist of photos of people whom she didn’t ask for their permission before she snapped away.

What’s really creepy, though, is the fact that Meg has a photo of a little girl’s ass! And she didn’t even ask the girl for permission.

That’s just plain creepy.

Creepy photo by Meg Marco

And there’s even more photos of children in her Strangers set.

Double creepy.

I’m curious to know how Meg would feel if she was banned from a public place for an entire year for taking this photo because a few people didn’t agree with what she was doing even though it is a perfectly legal thing to do, nor is she required to justify her actions to anyone.

Meg Marco, YOU ARE A HYPOCRITE.

To contact Meg Marco, email her at marco@consumerist.com.

You Digg?

Update: VT Photographer Retires

The controversy has gotten to banned mall photographer Dan Scott. He writes on a Flickr group page that he will no longer be taking pictures, in the Church Street Marketplace or anywhere else.

A commenter who claimed to have knowledge of those involved posted here that Scott was indeed harassing people at the Uncommon Grounds coffeeshop, and it’s apparently turned into an ugly story in Burlington. Scott, however, sounds pretty sincere in this Flickr post. He also links to the offending photo, which seems like classic street photography stuff to me. Is it possible Scott creeped this woman out by shooting her from afar? Sure. Does he have every right to shoot on public streets? Yes.

There’s three sides to every story – his, their’s and the truth. We’ll leave it at that.

 Story via War on Photography

Charles Moore, 1931-2010


Birmingham, Alabama 1963 Photo by Charles Moore

Influential civil rights photographer Charles Moore died last week  in Florida. He was 79. His iconic images from the 50s and 60s, especially those of police, fire hoses and dogs attacking black protesters, were widely credited with changing the national mood and paving the way for civil rights legislation. Without his images appearing in Life magazine, the average American couldn’t really understand what was going on. His impact can probably not be overstated.

In Birmingham when I saw the dogs I don’t think anything appalled me more, and I’ve been to Vietnam,” Mr. Moore told the New York Times in 1999. “I photographed it, and the world rushed in. I realized the power of even one image. . . . What changed was my awareness. I wanted to show how awful, how vulgar, how terrible this whole thing was.”

For more, read the Washington Post tribute and watch the BBC slide show.

Vignettes of Cuba

Called “Habana Vieja,” this is a pretty gorgeous video of Cuban life by Montreal filmmaker Van Royko.

From Vimeo

LA’s Shopping Carts, Reclaimed

Considering Shawn’s history and peculiar interest in abandoned shopping carts (he is known as discarted), this project is one we can definitely appreciate. Visual designer Ramon Coronado created the Mercado Negro (“black market”) collection with the purpose of reclaiming an everyday object and giving it another purpose. Coronado also says it’s a comment on the shortage of recreational spaces in LA. He explains:

Shopping carts exist everywhere and anywhere throughout the city of LA and include themselves as part of LA’s landscape. A shopping cart says a lot about a city. Seeing one on every block adds attention to the poverty and that there is no control of private property.

Read more about Mercado Negro here.

And, hey, why don’t you join the discarted group on Flickr while you’re at it?

VT Photographer Banned From Mall


Photo by Dan Scott/sevencardan

Vermont, always a state on the cutting edge, just came up with a new way to to restrict the legal right of photographers to shoot in public.

Due to complaints from business owners, photographer Dan Scott was issued a one-year trespass order barring him from shooting 67 businesses in the popular Burlington open air mall Church Street Marketplace. If he disobeys that order he can be arrested.

Seven Days reports that Scott has been shooting locals in the mall for over a year and “all his photos are taken on public property, not inside stores or through the windows or blinds of private homes.” In January, Scott was approached at another mall, the Burlington Town Center, by a security guard who told him he wasn’t allowed to take photos there. He was questioned by Burlington police, and then the next day a cop came to his office to question him for 45 minutes. (Crime is pretty low in Burlington.) The photographer seemed mostly interested in finding out whether Scott takes photos of children and posts them on the internet.

The next month, Brown was taking photos outside Uncommon Grounds coffeehouse on Church Street when an employee asked him not to take her photo and to delete any already on his camera, which he didn’t do. A few days later he got a visit at work from another Burlington cop, this one bearing that trespass order. (That sounds like “uncommon grounds” for a trespass order!)

The manager of the coffeehouse, Mara Bethel, paints a different picture of Scott, claiming he’s been a problem, surreptitiously targeting women and creeping them out. She called his behavior “unsettling” and “aggressive” when confronted. 

The Burlington PD never arrested Scott and actually don’t even have control over the trespass order – they’re issued at the request of property owners. So that means, any business that doesn’t like you hanging around can actually legally order you not to? Even if you’re doing something perfectly legal?

As local Saint Michael’s College journalism professor Dave Mindich put it, “Church Street is, by definition, the most public place in Chittenden County, if not Vermont,” he says. “There’s no presumption of privacy. There’s no gray area here.”

Article from Seven Days vis Carlos Miller

Repurposed Kodachrome


Photo by yarnzombie

A crafty Flickr user who goes by yarnzombie bought around 500 Kodachrome slides from an antique store and, after a little deliberation as to their fate, decided to make a curtain for her front door. After the project was highlighted on a few blogs and got some viral notoriety, there was the requisite bit of controversy with some people criticizing her for abusing Kodachrome this way and “destroying history.” 

I say, you do realize most Kodachrome probably ends up in landfills these days? It’s great these slides are getting a second life! I mean, people buy gorgeous Victorian homes and bulldoze them for the land…. Destroying history is going on on a much, much grander scale.

Read yarnzombie’s very long history behind the curtain and the controversy on Craft! Bang! Boom!.

Found on Flickr: Kolored

This is another installment in our continuing series where we talk to photographers whose work we’ve appreciated on Flickr.

This week we feature kolored.

Give us your quick bio.
My name is Paul Birman. I’m a full-time visual artist, currently residing in Manhattan with my wife, a cat and two turtles. I was born in Moscow, Russia in ’81, immigrated to Chicago in ’95, and moved to New York City on Halloween ’08.

Smith Magazine does this cool project called the six-word memoir. What’s yours?
Hmm…can’t really think of anything.

You grew up in Moscow. How does that affect your point of view in your work, if at all?
Russian society has this unique nihilistic take on everything. But at the same time, Russians are able to achieve amazing feats. I think it translates into my work in a lot of ways, mostly coming from my subconscious. I’m interested in things that are gritty, dirty, dysfunctional, yet beautiful and inspiring.

I read in the Bloginity.com interview you said you got over your trepidation of doing close-up street photography when you moved to New York. What made the difference?
I went to this huge anti-Israel rally in Times Square. The crowd was very intimidating and at times things got pretty violent. I’ve never experienced a demonstration so volatile.  It was very inspiring to be able to capture the emotion and in some cases even hatred. After you stick your camera into the face of someone who is screaming “death to Israel” and waving a Hamas flag, you can pretty much take a photo of anyone.

You seem to take a lot of photos of pretty girls. Is that intentional?
I try to take photos of anyone or anything that I find inspiring or unique. I’ve noticed the trend with pretty girls, but I haven’t been able to explain it. Perhaps it’s just instinctual.

Do you ever get photographer’s block, when the inspiration just isn’t there? What do you do in those times?
Definitely. When that happens, it means that I’ve reached the end of a certain chapter, if you will. It means that I’m ready to explore a different style, take my work into a slightly different direction. Of course I can’t help being a little bummed out for a while, but I know that whatever happens next will be bigger, better, and I get pretty excited since I have no idea what it will be.

Do you remember the first photo you took where you actually felt, “Now, that was good”?
I do.  I took a self-portrait with a little Canon A40 point-and-shoot.  It was the first camera I ever used that had a “manual” setting on it. I took a table light, and pointed it at my face at an angle, so that only a part of my face was exposed.  That was totally an “…oooh, OK, I get it” moment.

How do you know when you’ve taken a good photo?
When I have to change my underwear.

Having lived in New York myself, I would imagine people on the streets can be either blasé or aggressive in the face of a photographer taking their photo. What’s the reaction like?
I try not to leave a lot of time for a reaction. Some street photographers like to get into confrontations; I don’t. I like to get what I need to get and move on. I have techniques to avoid interaction with people.  But I have gotten stares, lectures, smiles, winks, dirty looks and even a couple of bitch-outs. Nothing physically violent yet.

Continue reading ‘Found on Flickr: Kolored’

Readers Tell WaPo to Kiss Off


Photo by Bill O’Leary/Washington Post

This is the photo that ran on the front page of the Washington Post last week that caused 27 readers to cancel their subscription. People wrote and called in to express their homophobia outrage and accused the paper of “promoting a faggot lifestyle” and said the photo “makes normal people want to throw up.” Ombusman Andrew Alexander doesn’t buy it. “News photos capture reality,” he wrote in his regular column.

There was a time, after court-ordered integration, when readers complained about front-page photos of blacks mixing with whites. Today, photo images of same-sex couples capture the same reality of societal change.

The funny thing about the anti-gay sentiment is that, if all these protesters would just acknowledge that it is biological – i.e., something you’re born as – then there isn’t any need to fear photos, TV shows or marriage laws will turn anyone else onto the lifestyle. It just already is.

Article via Washington Post


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