Archive Page 59

LA Times Photo Intern: Don’t Bore Editors


Photo by John W. Adkisson/Los Angeles Times

University of North Carolina at Chapel Hill student John Adkisson was the LA Times’ 2010 photography  intern over the summer, and he’s given an interview to the The Visual Student blog at NPAA.org about his time at the Times, revealing what he learned.

“This may seem obvious, but I think the biggest thing that I learned is to not bore the editors.  At that level of editing, they’ve pretty much seen it all.  What they want to see is something they haven’t seen. You don’t necessarily have to perfectly illustrate the story everytime. Making a really graphic or cool frame can engage readers in an otherwise mundane story.  It really pushed me to work situations harder to try and make something different.”

Source: The Visual Student

Max

Photo by Shawn Nee / discarted

Trashed Flag Hurts Newspaper Readers’ Feelings


Photo by David Carson/St. Louis Post-Dispatch

It appears some readers of the St. Louis Post-Dispatch would prefer their news nice and sanitized. Never mind that the real world is oftentimes ugly and unfair, they just don’t want to see it — and you’re not a patriot if you reveal it to them! That’s what editors found out when they ran photographer David Carson’s photo of an American flag in a trash can to accompany a story on foreclosures in O’Fallon, Mo.

Readers wrote in asking why they had to include it – it’s sacrilege! Couldn’t the photographer have removed it before taking the photo? He must not respect veterans!

In a response on the paper’s photo blog, Carson actually had to explain the fundamentals of photojournalism to readers: “As a journalist, I’m bound by ethics to only record and document reality. I never stage it or change it, even after I’m done photographing it.” But, even worse, he felt he had to list all the veterans he is related to and was named after to prove he’s not really the horrible traitor they think he is.

Listen, I love veterans just as much as the next guy. Many of my best friends are veterans. But I think we can quit using it as an all-purpose criticism when our delicate sensibilities are offended.

Source: St. Louis Post-Dispatch


Heroes

Photo by Reuben Wu

Power of Photojournalism 2/2

Winners of the 66th Pictures of the Year International and editors talk about photojournalism and their work. Winning photos are also presented.

Photography Link Roundup


Girls in Brooklyn, 1974 Photo by Danny Lyon/The U.S. National Archives

• A Q&A with freelance photographer Cary Conover about shooting for the New York Times, how the city has changed, and why he’s picking up and moving to Kansas to become a high school photojournalism teacher. [Street Reverb Magazine]

• With her work being displayed in London’s National Portrait Gallery, Mary McCartney (daughter of Paul) talks about her new photography book, a retrospective called From Where I Stand. Real talent or major connections? You decide. [The Guardian]

• Paul Hedlund lives on the streets of Seattle, selling copies of the newspaper “Real Change” and his own photography. “I get great compliments, but I need customers! It’s hard to sell art on the sidewalk.” [Crosscut]

• Another award for photographer Darcy Padilla – she won the W. Eugene Smith Grant for Humanistic Photography on Wednesday for her 17-year-long documentation of the AIDs-afflicted mother and addict Julie Baird. [Lens]

• James Franco to star as Robert Mapplethorpe in future biopic? [Showbiz 411]

Michael Kamber I Military Censorship

During embeds with the United States military, Kamber was limited in regards to what he was allowed to photograph. One day during his time embedded, Kamber’s unit was attacked by an IED. After a quick recovery from the debris, Kamber began to photograph but the unit captain yelled out to him “no pictures!” Kamber replied “I’m here to do my job and you can take my cameras later.” The U. S. military later warned The New York Times not to publish the photos and also threatened to revoke the paper’s embed access. Mr. Kamber and his editors dug through the images from that day and tried to conform to the military’s requirements. The graphic images were left unpublished.

To see more of Kamber’s work visit his website.

TOTH: The Click

Power of Photojournalism 1/2

Winners of the 66th Pictures of the Year International and editors talk about photojournalism and their work. Winning photos are also presented.

Part 2 will be posted tomorrow.

Untitled

Photo by Corentin Walravens

Voice of the Photographer: Carolyn Cole

Photojournalist Carolyn Cole recounts the stories behind some of her award-winning images. Part of the Voice of the Photography series created for the Annenberg Space for Photography inaugural exhibit L8S ANG3LES. (March – July, 2009)


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