Archive Page 92

Who Gets to Decide Who Sees War Photos?

This past week saw a lot of discussion about the AP’s decision to run a photo of a mortally wounded marine. Some, including Defense Secretary Robert Gates, balked – he called their insensitivity “appalling.” Others felt it was a true depiction of war, which is – of course – brutal. Regardless, the images that are coming out of the conflicts in Iraq and Afghanistan are nowhere near as searing or evocative as those seen in the Vietnam era. This could be my perception, undoubtedly clouded by the fact that I distrust the government that got us into the mess in the first place, but when photos of coffins of dead soldiers have been banned, you know that we’re not getting the full story.

The controversial photo shows Cpl. Joshua Bernard with his legs severely mangled (or gone) after he was hit by a grenade in an ambush in Afghanistan in August. He died soon after. The photographer, Julie Jacobson, later wrote in her journal about showing the marine’s comrades the photos she’d taken that day:

“They did stop when they came to that moment,” she said. “But none of them complained or grew angry about it. They understood that it was what it was. They understand, despite that he was their friend, it was the reality of things.”

Incidentally, the AP held the photo for three weeks before deciding to publish it. And those who think it was a decision based on sensationalism or money are, I believe, woefully misinformed. Apart from Gates and the military and family objections, I’d really be interested to hear what soldiers fighting over there think – if they object to real and raw, sometimes gruesome, images coming out, or if they see them as a testament to their sacrifice and tangible evidence that real lives are being lost every day.

In his blog, journalist and ASU professor Tim McGuire hits the nail on the head – and he doesn’t think families get to decide what photos are seen in the media.

In Salon, Michael Winship thinks the photo reminds us of a war that’s now gone on longer than World War I and II combined.

Watch a photo montage of the day of the ambush, narrated by Julie Jacobson here.

By the way, if you haven’t seen The Hurt Locker, you should.

Found on Flickr: Eyal Golshani

Mesquite Sunrise

This is another installment in our continuing series where we talk to photographers whose work we’ve appreciated on Flickr.

This week we feature Eyal Golshani.

cinemafia: Would you describe yourself as a landscape photographer to someone you’ve just met? Why, or why not?

Eyal Golshani:  It’s funny you should ask that. I think that in many ways I am still trying to figure it out myself. After doing photography for over three years I have come to realize that I really enjoy travel photography. To me this includes both landscape as well as people. Although I haven’t photographed as many people when compared with landscape, I do have a strong desire to shoot more street photography.

cinemafia: Do you feel that there is a different approach to photographing landscapes than there is to photographing people?

Eyal Golshani: The two couldn’t be more different. With landscape the whole process is very slow and requires careful planning and timing. I spend many hours researching spots for a potential shot – [it’s] always carrying a tripod and a remote shutter release with you, spending 15 minutes to set your gear for every shot, mostly at odd times, double checking you have the correct focus and exposure settings.

Photographing people (street photography) requires a different set of skills. You need to be able to see the potential for a good shot as things happen (aka the decisive moment). As such, you need to be able to think fast and change your camera settings while composing the shot. A lot of people rely on new camera technology to do a lot of this for them. There are a few masters of photography that have the ability to do this manually by knowing their gear and craft (some of the most famous Leica photographers come to mind). This is a skill I hope to possess one day – at the moment I am far from it.

Forgotten

cinemafia: I’ve noticed that one of the focal points in your work is texture. Not only do you seem attracted to it, but you pull it all the way to the forefront in your images. Do you feel that emboldening these textures enhances the way that your photographs are experienced by your audience?

Eyal Golshani: It depends on the subject. I think that it works quite well for subjects that have a beautiful pattern, which leads the eye through the image while keeping things interesting.

cinemafia: From your profile I noticed that you’ve only been working in photography for the last three years or so, correct?

Eyal Golshani: Yes, correct.

cinemafia: Before you began, did you have any other creative outlets? Also, do you think you would have become as involved in photography if the state of its technology (i.e., digital) weren’t at the point that it is today?

Eyal Golshani: I was always interested in doing creative things, but the reasons I became more involved in photography is because it gave me a creative outlet while still giving me an opportunity to use my engineering skills to understand the technical background of using a camera and what makes a good exposure.

Continue reading ‘Found on Flickr: Eyal Golshani’

Naked Man Takes Top Honors

Picture 3 Photo by Benoit Paille

I guess you could call it grief, in the flesh. Benoit Paille‘s portrait of a naked 53-year-old man sitting on a chair in his kitchen won the top prize at the Art of Photography competition this past weekend, beating out 15,000 other entries. Paille, who hails from Canada, said he met the man on the street and was invited back to his apartment, where the stranger stripped down and posed for him. He said he was grieving over recently losing his mother.

Judged this year by the head of photography at the Los Angeles County Museum of Art, the competition is meant to showcase photography from all over the world, by both amateurs and professionals, “so long as part of the image is photographically created.” The 111 photos in the show will be on view at the Lyceum Theatre Gallery in San Diego through November 1.

Article via NPR’s The Picture Show

Photographer Jumps Fence, Snaps Crime Scene

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Photo by Nick Stern

Everyone is outraged over the Jaycee Dugard case and rightly so. It’s hard to fathom a more awful or bizarre scenario, and it’s been said it’s one of the worst kidnapping cases in American criminal history. Predictably, there has been much media interest. The New York Times reports today that freelance photographer Nick Stern jumped the fence of alleged maniac Phillip Garrido’s property on Friday, and, while trespassing, shot more than 40 photographs of the squalor the woman and her daughters lived in. The photos appeared in the Times of London and the New York Post, among other places.

While the article quotes a sheriff’s office spokesperson as being not too happy about the photos (which is odd since a quick perusal of the web shows a few different media outlets or agencies have had access), the paper had this to say about Stern:

Mr. Stern, a freelance photographer based in Los Angeles, said he had not seen any police officers and did not consider the lot — which was surrounded by a fence and dotted with trees — a crime scene.

I guess you have to admire the gumption of Stern, who saw a golden opportunity and seized it.

Article via New York Times

US Military Likes Friendly Journalists Only

In move that really does a lot to reinforce one’s cynicism, Stars and Stripes reports that journalists looking to embed with the US military in Afghanistan will have their prior work scrutinized to see the slant of their coverage.

[Contracted PR firm] Rendon examines individual reporters’ recent work and determines whether the coverage was “positive,” “negative” or “neutral” compared to mission objectives, according to Rendon officials. It conducts similar analysis of general reporting trends about the war for the military and has been contracted for such work since 2005, according to the company.

Apparently this does not affect whether or not journalists get the assignment (or so the military says), but Stars and Stripes claims one of its reporters was barred two months ago for refusing “to highlight” positive news. Of course journalists’ groups are outraged, but the military is so scarily powerful they can really do whatever they want, can’t they?

In a follow-up AP story, the Pentagon outright denied this is their practice, but c’mon – what else would they say?

Article via Stars and Stripes and AP

iPhone Pics Dominate Flickr

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Photo by Fauxmantic

In response to a recent Wired.com report that the iPhone is now the most popular camera on Flickr, the AppleiPhoneReview blog posted a roundup of some of the best iPhone photos that can be found on Flickr. The iPhone has surpassed Canon’s Digital Rebel XTi (though they’re still in a “neck-and-neck battle”), which Wired attributes to the 3GS’s ease in uploading photos directly to the internet.

I myself have been impressed at the quality of the iPhone photo, and these are indeed pretty amazing.

Article via AppleiPhoneReview

Kenny Chesney Will Take Your Camera

Is Kenny Chesney an enemy of photography? In a strange move, the country star snatched a camera from a fan in the front row at his concert this past weekend at Gillette Stadium in Foxborough, Mass.

“(Chesney) was like a person in front of me and he reached down, grabs the camera, shuts it, goes down the walkway and throws it on the stage.”

When the woman got it back her memory card was missing. Apparently video cameras are banned at Gillette, but she was taking still photos. And do we really believe Chesney is enforcing the stadium’s policy for them? That guy’s always been a little fishy, but this is just baffling.

Article via WCVBTV Boston

Photographers Face Guns in Afghanistan

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Pedro Ugarte/AFP/Getty Images

As if Afghanistan wasn’t dangerous enough for the photojournalists shooting there, now they have to contend with police officers who threaten them with guns. The New York Times’ Lens blog has a post about the Afghan government’s moves to ban journalists from reporting on the Taliban-sponsored violence surrounding the election lest it deters people from voting.

They’re not really making much of a case for democracy, are they? I get their admittedly screwy logic, but the execution is all wrong. Isn’t it better to assuage the citizenry rather than restrict the press? 

Article via New York Times

Obama Socialism Poster Has Flickr Roots

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The Obama/Joker “Socialism” poster became newsworthy recently for a few reasons, one of them being that it’s based on a stolen Flickr image – which itself was essentially stealing two copyrighted properties.

The LA Times tracked down the “owner” of the image, 20-year-old University of Illinois student Firas Alkhateeb, who says he posted the modified Time cover in January after creating it in Photoshop. It wasn’t until someone (still not publicly known who) took the image, removed the Time title, added “socialism”  and plastered the posters around LA that people really started to take notice.

Forget that the article actually treats this college student’s political views as if they’re relevant and the myriad of things in play, from the trumped up socialism frenzy to political statements to copyright issues. The puzzling thing for me is that the Joker is the quintessentially self-interested cartoon villain, so the link between him and Obama’s purported socialism just doesn’t really add up. But whoever did it, you just know, thinks he/she is really, really clever right about now.

Article from LA Times

See Firas Alkhateeb’s Flickr stream here

Photography Campaign Launches in UK

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The UK has to be one of the most hostile places for photography in the free world, seemingly crying “terrorism” the minute someone pulls out a camera in public. So in response a group of photographers have banned together to create the “I’m a photographer not a Terrorist” campaign. Meant to raise awareness, map infractions and work toward stopping the egregious harassment, it’s also a place to download a “bust card” (a handy reference of your rights), check out a map of where photography has been prohibited and upload your own DIY portrait.

One of the campaign’s founders, Jeff Moore, told Amateur Photographer: “This website is not just for professionals, it is very much aimed at everyone from pros, high-end amateurs and mums using their camera phones.”

For more info, go to I’m a Photographer Not a Terrorist.


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